Now showing items 104-123 of 253

  • Dybsand, Øyvin (Doctoral thesis / Doktoravhandling, 2016)
    Bind 1-2 er en undersøkelse av Johan Halvorsens kunstneriske virke og en stilistisk gjennomgang av hans komposisjoner, mens bind 3 inneholder en tematisk verkoversikt, en kronologisk fortegnelse over Halvorsens konsertvirksomhet ...
  • Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    The chapter is taken from the book: The Oxford Handbook of Music and Virtuality edited by Sheila Whiteley and Shara Rambarran, 2016, reproduced by permission of Oxford University Press https://doi.org/10.1093/oxfordhb/97 ...
  • Weisethaunet, Hans (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Den norske trommeslageren Jon Christensen (1943–2020) var en av de mest innflytelsesrike musikerne i samtidas jazz og bidro til over 70 innspillinger for plateselskapet ECM. Med utgangspunkt i Deleuze og Guattaris begreper ...
  • Mattes, Arnulf Christian (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    Schoenberg’s concept of the work as the presentation (Darstellung) of the ‘musical idea’ (Gedanke) entails that the work is considered a vehicle by means of which the composer shares musical ideas with the performer and ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The paper presents the Kinectofon, an instrument for creating sounds through free-hand interaction in a 3D space. The instrument is based on the RGB and depth image streams retrieved from a Microsoft Kinect sensor device. ...
  • Xambó, Anna; Støckert, Robin; Jensenius, Alexander Refsum; Saue, Sigurd (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2020)
    In this article, we discuss the challenges and opportunities provided by teaching programming using web audio technologies and adopting a team-based learning (TBL) approach among a mix of colocated and remote students, ...
  • Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in Critical Approaches to the Production of Music and Sound on 11-01-2018 , available online: https://www.bloomsbury.com/9781501332050
  • Kjus, Yngvar; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2014)
    Live music remains popular in the digital age, as reflected in the growth in music festivals in the 2000s. The increased availability of music online highlights the issue of what sets live music apart but also raises the ...
  • Kjus, Yngvar; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    The use of computers is continuously changing the sound of records but also increasingly challenging established forms of live concert aesthetics. So what becomes of creativity and expressivity in the live performance? In ...
  • Weisser, Stéphanie; Lartillot, Olivier; Demoucron, Matthias; Conklin, Darrell (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
    De nombreuses recherches sont actuellement menées par différentes équipes sous le nom générique « d’ethnomusicologie computationnelle ». Sous cette dénomination popularisée notamment par Tzanetakis (Tzanetakis et al. 2007, ...
  • Johnson, Mark; Aksnes, Hallgjerd; Alexander, Thomas; Matteucci, Giovanni; Roald, Tone (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
  • Kraugerud, Emil (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    This paper investigates the importance of forming the virtual space in recorded music. With a production-analytical model called the sound-space I seek to draw attention to the ways in which spatiality in recorded sound ...
  • Kontogeorgakopoulos, Alexandros; Sioros, George; Klissouras, Odysseas (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    Mechanical Entanglement is a musical composition for three performers. Three force feedback devices each containing two haptic faders are mutually coupled using virtual linear springs and dampers. During the composition, ...
  • Danielsen, Anne; Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
  • Danielsen, Anne; Helseth, Inger (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
  • Alarcón Diaz, Ximena (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    A partir de las memorias sonoras de los pasajeros del transporte público subterráneo en Londres, México y París, creé el sitio interactivo en internet Sounding Underground. Esta interfaz articula estructural y aleatoriamente ...
  • Endestad, Tor; Godøy, Rolf Inge; Sneve, Markus Handal; Hagen, Thomas; Bochynska, Agata Elzbieta; Laeng, Bruno (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    We investigated “musical effort” with an internationally renowned, classical, pianist while playing, listening, and imagining music. We used pupillometry as an objective measure of mental effort and fMRI as an exploratory ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This chapter presents an overview of some methodological approaches and technologies that can be used in the study of music-related body motion. The aim is not to cover all possible approaches, but rather to highlight some ...
  • Maasø, Arnt; Hagen, Anja Nylund (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
    This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed ...