Now showing items 1-20 of 356

  • Fasciani, Stefano; Goode, Jackson (Chapter / Bokkapittel / PublishedVersion / PublishedVersion; Peer reviewed, 2021)
    This paper provides figures and metrics over twenty years of New Interfaces for Musical Expression conferences, which are derived by analyzing the publicly available paper proceedings. Besides presenting statistical ...
  • Støckert, Robin; Jensenius, Alexander Refsum; Xambó, Anna; Brandtsegg, Øyvind (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    In this paper we present results from our ongoing project Student Active Learning in a Two campus Organization(SALTO). This is funded as part of the Norwegian University of Science and Technology’s (NTNU) Teaching Excellence ...
  • Fuglestad, Svein; Aksnes, Hallgjerd (Chapter / Bokkapittel, 2012)
    In this paper we will present the first results of an ongoing explorative, qualitative study based on a comparison of transcriptions from a total of 58 GIM sessions, all guided by AMI Fellow Svein Fuglestad. The goal of ...
  • London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...
  • Elovsson, Anders; Lartillot, Olivier (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2021)
    This paper presents a Hardanger fiddle dataset “HF1” with polyphonic performances spanning five different emotional expressions: normal, angry, sad, happy, and tender. The performances thus cover the four quadrants of the ...
  • Lucas Bravo, Pedro Pablo; Fasciani, Stefano (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2023)
    This paper proposes a human-machine interactive music system for live performances based on autonomous agents, implemented through immersive extended reality. The interaction between humans and agents is grounded in concepts ...
  • Karbasi, Seyed Mojtaba; Godøy, Rolf Inge; Jensenius, Alexander Refsum; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2021)
    In robot drumming, performing double stroke rolls is a key ability. Human drummers learn to play double strokes by just trying it several times. For performing it, a model needs to be learned to provide anticipatory commands ...
  • Stover, Christopher (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    This essay uses the Deleuzo-Guattarian concept of the war machine to develop a way of thinking about research-creation, following Erin Manning’s suggestion that the latter—as a hyphenated compound structure—can function ...
  • Holbrook, Ulf A. S. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    This chapter examines ambience as it was defined in Brian Eno's liner notes in Ambient 1: Music for Airports and from John Cage's experiences leaning up to the composition of 4'33'', in regards to the background and the ...
  • Mangaoang, Áine (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    Scholarship on prison music-making projects and programmes to date has largely overlooked the perspectives of prison music facilitators, who form an integral part of many prison music activities. The aim of the study, which ...
  • Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    Intelligent robots aimed for performing music and playing musical instruments have been developed in recent years. With the advancements in artificial intelligence and robotic systems, new capabilities have been explored ...
  • Fasciani, Stefano; Goode, Jackson Montgomery (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    This paper describes a toolkit for analyzing the NIME proceedings archive, which facilitates the bibliometric study of the conference papers and the identification of trends and patterns. The toolkit is implemented as a ...
  • Kwak, Dongho; Olsen, Petter Angell; Danielsen, Anne; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    The primary aim of this article is to provide a biological rhythm model based on previous theoretical and experimental findings to promote more comprehensive studies of rhythmic mechanical stimulation of cell cultures, ...
  • Eriksen, Asbjørn Øfsthus (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    Franz Liszt originally planned to write 24 studies in all keys, but he completed only twelve, the famous Etudes d’exécution transcendante (1851). However, half a century later the Russian Sergey Lyapunov (1859–1924) fulfilled ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    The conceptual starting point for an `action-sound approach' to teaching music technology is the acknowledgment of the couplings that exist in acoustic instruments between sounding objects, sound-producing actions and the ...
  • Place, Timothy; Lossius, Trond; Jensenius, Alexander Refsum; Peters, Nils; Baltazar, Pascal (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2008)
    An approach for creating structured Open Sound Control (OSC) messages by separating the addressing of node values and node properties is suggested. This includes a method for querying values and properties. As a result, ...
  • Jakubowski, Kelly; Polak, Rainer; Rocamora, Martín; Jure, Luis; Jacoby, Nori (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    Expressive communication in the arts often involves deviations from stylistic norms, which can increase the aesthetic evaluation of an artwork or performance. The detection and appreciation of such expressive deviations ...
  • Krzyzaniak, Michael Joseph; Veenstra, Frank; Erdem, Cagri; Jensenius, Alexander Refsum; Glette, Kyrre (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes an interactive art installation shown at ICLI in Trondheim in March 2020. The installation comprised three musical robots (Dr. Squiggles) that play rhythms by tapping. Visitors were invited to wear ...
  • Holbrook, Ulf A. S. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Many common and popular sound spatialisation techniques and methods rely on listeners being positioned in a “sweet-spot” for an optimal listening position in a circle of speakers. This paper discusses a stochastic ...
  • Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / SubmittedVersion, 2019)
    The links between music and human movement have been shown to provide insight into crucial aspects of human’s perception, cognition, and sensorimotor systems. In this study, we examined the influence of music on movement ...