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Meanings of Spatial Formation in Recorded Sound

Kraugerud, Emil
Journal article; AcceptedVersion; Peer reviewed
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Kraugerud%3B+Me ... ecorded+Sound_Accepted.pdf (194.6Kb)
Year
2017
Permanent link
http://urn.nb.no/URN:NBN:no-66225

CRIStin
1492045

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Appears in the following Collection
  • Institutt for musikkvitenskap [177]
  • CRIStin høstingsarkiv [8385]
Original version
Journal on the Art of Record Production. 2017 (11)
Abstract
This paper investigates the importance of forming the virtual space in recorded music. With a production-analytical model called the sound-space I seek to draw attention to the ways in which spatiality in recorded sound affects interpretation of meaning in music. The soundspace comprises both the four-dimensional spatiotemporal organization of previous models for sound analysis, and the ways in which that organization emphasizes meanings in recorded music. In order to demonstrate how the sound-space can be applied in production I have recorded and mixed a song and compared it to a previous version that was produced before the work on the sound-space concept started.

© 2017 Association for the Study of the Art of Record Production
 
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