Browsing Institutt for musikkvitenskap by Title
Now showing items 147-166 of 167
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)The Musical Gestures Toolbox for Matlab (MGT) aims at assisting music researchers with importing, preprocessing, analyzing, and visualizing video, audio, and motion capture data in a coherent manner within Matlab.
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)The paper presents results from an experiment in which 91 subjects stood still on the floor for 6 minutes, with the first 3 minutes in silence, followed by 3 minutes with mu- sic. The head motion of the subjects was captured ...
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(Doctoral thesis / Doktoravhandling, 2010)The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection ...
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(Doctoral dissertation / Doktoravhandling, 2014)This thesis aims to demonstrate that Tchaikovsky’s symphonic style is explicitly contrapuntal. Not only has this aspect of the composer been significantly undervalued in western musicology until today, it would be about ...
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(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)This chapter addresses the relationship between repetition and variation in repetitive music. Building on philosopher Gilles Deleuze’s discussion of repetition (Difference and Repetition, 1994), and more particularly on ...
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)The term ‘gesture’ has represented a buzzword in the NIME community since the beginning of its conference series. But how often is it actually used, what is it used to describe, and how does its usage here differ from its ...
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(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2008)This is a piece originally written by Paul Bekker (1882-1937). It has been translated by Martin Morgenstern and Nanette Nielsen with James Steichen. This piece was originally published in German in Letters to Contemporary ...
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)Simultaneous handling and synchronisation of data related to music, such as score annotations, MIDI, video, motion descriptors, sensor data, etc. requires special tools due to the diversity of this data. We present a toolbox ...
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(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 1984)
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)This paper discusses the need for a framework for describing musical instruments and their design, and discusses some possible elements in such a framework. The framework is meant as an aid in the development of a coherent ...
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrieving and sharing information about music-related gestures. Ideally, it should be possible to store all sorts of data from ...
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(Conference object / Konferansebidrag, 2009)
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)This paper provides an overview of the process of editing the forthcoming anthology “A NIME Reader—Fifteen years of New Interfaces for Musical Expression.” The selection process is presented, and we reflect on some of the ...
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(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)Agency is a concept employed widely and in varied ways across interdisciplinary music studies, from the philosophical to the experimental scientific. This article explores some of the theories and methodologies that inform ...
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)The term coarticulation designates the fusion of small-scale events, such as single sounds and single sound-producing actions, into larger units of combined sound and body motion, resulting in qualitative new features at ...
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)The paper presents a conceptual overview of how optical infrared marker based motion capture systems (IrMoCap) can be used in musical interaction. First we present a review of related work of using IrMoCap for musical ...
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(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)Navigating hours of video material is often time-consuming, and traditional keyframe displays are not particularly useful when studying single-shot studio recordings of music-related movement. This paper presents the idea ...
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(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
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(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)We report on the development of a video based analysis system that controls concatenative sound synthesis and sound spatialisation in realtime in concert performances. The system has been used in several pieces, most ...
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(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)Despite increasingly accessible and user-friendly multi-channel compositional tools, many composers still choose stereo formats for their work, where the compositional process is allied to diffusion performance over a ...