Now showing items 49-68 of 82

  • Alarcón Diaz, Ximena (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    © Ximena Alarcón 2017. All rights reserved http://www.reflections-on-process-in-sound.net/
  • Marshall, Mark; Peters, Nils; Jensenius, Alexander Refsum; Boissinot, Julien; Wanderley, Marcelo M.; Braasch, Jonas (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    This paper presents our current approach in using a Polhemus Liberty electromagnetic tracker for controlling spatialization in a performance setup for small ensemble. We are developing a Gesture Description Interchange ...
  • Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian; de Quay, Yago; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    The paper presents research about implementing a full body inertial motion capture system, the Xsens MVN suit, for musical interaction. Three di erent approaches for streaming real time and prerecorded motion capture data ...
  • Christophersen, Bjørn Morten (Doctoral thesis / Doktoravhandling, 2016)
    Johan Svendsen is one of the most influential Scandinavian composers of the nineteenth century. He contributed in particular to the orchestral repertoire in Scandinavia and he was a celebrated conductor throughout Europe. ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
    Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Many practices of contemporary DJ-driven electronic dance music derive from 1970s club scenes in the United States, which were welcoming spaces for people who otherwise encountered prejudice for their gender identities and ...
  • Haugen, Mari Romarheim; Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
  • Ålvik, Jon Mikkel Broch (Doctoral thesis / Doktoravhandling, 2014)
    In this thesis, I investigate into the politics of gendered representation in Norwegian popular music, and how these function in a transcultural context. To this end, I take Norwegian pop artists Marit Larsen and Marion ...
  • Nymoen, Kristian; Jensenius, Alexander Refsum; Tørresen, Jim; Glette, Kyrre Harald; Skogstad, Ståle Andreas van Dorp (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    In this paper we present a method for studying relationships between features of sound and features of movement. The method has been tested by carrying out an experiment with people moving an object in space along with ...
  • Holopainen, Risto (Doctoral thesis / Doktoravhandling, 2012)
    Autonomous instruments are computer programmes that generate music algorithmically and without realtime interaction, from the waveform level up to the large scale form. This thesis addresses questions of aesthetics and the ...
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    The purpose of this Short-Term Scientific Mission has been to investigate the use of the Sound Description Interchange Format (SDIF) as a container format for Gesture Description Interchange Format (GDIF) recordings. Much ...
  • Bevilacqua, Frédéric; Fels, Sidney; Jensenius, Alexander Refsum; Lyons, Michael; Schnell, Norbert; Tanaka, Atau (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2013)
    This SIG intends to investigate the ongoing dialogue between music technology and the field of human-computer interaction. Our specific aims are to consider major findings of musical interface research over recent years ...
  • Godøy, Rolf Inge (Research report / Forskningsrapport, 1993)
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    Technical report from pilot studies in the Sensing Music-related Actions group. The report presents simple motion sensor technology and issues regarding pre-processing of music-related motion data. In cognitive music ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    Apart from the sounds they make, synthesis models are distinguished by how the sound is controlled by synthesis parameters. Smoothness under parameter changes is often a desirable aspect of a synthesis model. The concept ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    Mobile music technology opens many new opportunities in terms of location-aware systems, social interaction etc., but we should not forget that many challenges faced in immobile music technology research are also apparent ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    This paper presents an overview of techniques for creating visual displays of human body movement based on video recordings. First a review of early movement and video visualization techniques is given. Then follows an ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / SubmittedVersion, 2017)
    This chapter looks at the ways in which micromotion, the smallest controllable and perceivable human body motion, can be used in interactive sound systems. It presents a general taxonomy, followed by examples of how sonic ...