Browsing Institutt for musikkvitenskap by Title

Now showing items 1-20 of 944

  • 1967 : a year in the life of The Beatles : history, subjectivity, music 
    Engebråten, Linda (Master thesis / Masteroppgave, 2010)
    This thesis is about The Beatles and locating them in 1967. It is a historical analytical study where I describe some of the most important events of 1967, and turning to hermeneutics and acknowledging the value of ...
  • 20 NIMEs: Twenty Years of New Interfaces for Musical Expression 
    Fasciani, Stefano; Goode, Jackson (Chapter / Bokkapittel / PublishedVersion / PublishedVersion; Peer reviewed, 2021)
    This paper provides figures and metrics over twenty years of New Interfaces for Musical Expression conferences, which are derived by analyzing the publicly available paper proceedings. Besides presenting statistical ...
  • A case study in learning spaces for physical-virtual two-campus interaction 
    Støckert, Robin; Jensenius, Alexander Refsum; Xambó, Anna; Brandtsegg, Øyvind (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    In this paper we present results from our ongoing project Student Active Learning in a Two campus Organization(SALTO). This is funded as part of the Norwegian University of Science and Technology’s (NTNU) Teaching Excellence ...
  • “A Comparative Study of Transcriptions Based on Five Selected GIM Programs” 
    Fuglestad, Svein; Aksnes, Hallgjerd (Chapter / Bokkapittel, 2012)
    In this paper we will present the first results of an ongoing explorative, qualitative study based on a comparison of transcriptions from a total of 58 GIM sessions, all guided by AMI Fellow Svein Fuglestad. The goal of ...
  • A comparison of methods for investigating the perceptual center of musical sounds 
    London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...
  • A Hardanger Fiddle Dataset with Performances Spanning Emotional Expressions and Annotations Aligned using Image Registration 
    Elovsson, Anders; Lartillot, Olivier (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2021)
    This paper presents a Hardanger fiddle dataset “HF1” with polyphonic performances spanning five different emotional expressions: normal, angry, sad, happy, and tender. The performances thus cover the four quadrants of the ...
  • A Human-Agents Music Performance System in an Extended Reality Environment 
    Lucas Bravo, Pedro Pablo; Fasciani, Stefano (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2023)
    This paper proposes a human-machine interactive music system for live performances based on autonomous agents, implemented through immersive extended reality. The interaction between humans and agents is grounded in concepts ...
  • A Learning Method for Stiffness Control of a Drum Robot for Rebounding Double Strokes 
    Karbasi, Seyed Mojtaba; Godøy, Rolf Inge; Jensenius, Alexander Refsum; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2021)
    In robot drumming, performing double stroke rolls is a key ability. Human drummers learn to play double strokes by just trying it several times. For performing it, a model needs to be learned to provide anticipatory commands ...
  • A música como pesquisa nômade (Music as nomad research) 
    Stover, Christopher (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    This essay uses the Deleuzo-Guattarian concept of the war machine to develop a way of thinking about research-creation, following Erin Manning’s suggestion that the latter—as a hyphenated compound structure—can function ...
  • A question of backgrounds: Sites of listening 
    Holbrook, Ulf A. S. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    This chapter examines ambience as it was defined in Brian Eno's liner notes in Ambient 1: Music for Airports and from John Cage's experiences leaning up to the composition of 4'33'', in regards to the background and the ...
  • “A reward rather than a right”: Facilitators’ perspectives on the place of music in Norwegian prison exceptionalism 
    Mangaoang, Áine (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    Scholarship on prison music-making projects and programmes to date has largely overlooked the perspectives of prison music facilitators, who form an integral part of many prison music activities. The aim of the study, which ...
  • A Robotic Drummer with a Flexible Joint: the Effect of Passive Impedance on Drumming 
    Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    Intelligent robots aimed for performing music and playing musical instruments have been developed in recent years. With the advancements in artificial intelligence and robotic systems, new capabilities have been explored ...
  • A Toolkit for the Analysis of the NIME Proceedings Archive 
    Fasciani, Stefano; Goode, Jackson Montgomery (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    This paper describes a toolkit for analyzing the NIME proceedings archive, which facilitates the bibliometric study of the conference papers and the identification of trends and patterns. The toolkit is implemented as a ...
  • A trio of biological rhythms and their relevance in rhythmic mechanical stimulation of cell cultures 
    Kwak, Dongho; Olsen, Petter Angell; Danielsen, Anne; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    The primary aim of this article is to provide a biological rhythm model based on previous theoretical and experimental findings to promote more comprehensive studies of rhythmic mechanical stimulation of cell cultures, ...
  • A ‘completion’ of Liszt’s transcendental studies with a Russian imprint: Modality and topics in Sergey Lyapunov’s 12 Études d’exécution transcendante (1897–1905) 
    Eriksen, Asbjørn Øfsthus (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    Franz Liszt originally planned to write 24 studies in all keys, but he completed only twelve, the famous Etudes d’exécution transcendante (1851). However, half a century later the Russian Sergey Lyapunov (1859–1924) fulfilled ...
  • Absorption, somewhere between the heart and the brain - An empirical investigation of absorption using qualitative and quantitative methods 
    Dalgard, Joachim Christian (Master thesis / Masteroppgave, 2020)
    Absorption, the state of mind that is fully devoted and engaged with an attentional object, was empirically investigated using a multimethod approach including quantitative and qualitative methods. Participants (N=20) with ...
  • Action-sound : developing methods and tools to study music-related body movement 
    Jensenius, Alexander Refsum (Doctoral thesis / Doktoravhandling, 2007)
    Body movement is integral to both performance and perception of music, and this dissertation suggests that we also think about music as movement. Based on ideas of embodied music cognition, it is argued that ecological ...
  • An Action-Sound Approach to Teaching Interactive Music 
    Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    The conceptual starting point for an `action-sound approach' to teaching music technology is the acknowledgment of the couplings that exist in acoustic instruments between sounding objects, sound-producing actions and the ...
  • Addressing Classes by Differentiating Values and Properties in OSC 
    Place, Timothy; Lossius, Trond; Jensenius, Alexander Refsum; Peters, Nils; Baltazar, Pascal (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2008)
    An approach for creating structured Open Sound Control (OSC) messages by separating the addressing of node values and node properties is suggested. This includes a method for querying values and properties. As a result, ...
  • Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony 
    Jakubowski, Kelly; Polak, Rainer; Rocamora, Martín; Jure, Luis; Jacoby, Nori (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    Expressive communication in the arts often involves deviations from stylistic norms, which can increase the aesthetic evaluation of an artwork or performance. The detection and appreciation of such expressive deviations ...