Now showing items 1-20 of 37

  • Karbasi, Seyed Mojtaba; Godøy, Rolf Inge; Jensenius, Alexander Refsum; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2021)
    In robot drumming, performing double stroke rolls is a key ability. Human drummers learn to play double strokes by just trying it several times. For performing it, a model needs to be learned to provide anticipatory commands ...
  • Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    Intelligent robots aimed for performing music and playing musical instruments have been developed in recent years. With the advancements in artificial intelligence and robotic systems, new capabilities have been explored ...
  • Nymoen, Kristian; Godøy, Rolf Inge; Jensenius, Alexander Refsum; Tørresen, Jim (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
    Links between music and body motion can be studied through experiments called sound-tracing. One of the main challenges in such research is to develop robust analysis techniques that are able to deal with the multidimensional ...
  • Godøy, Rolf Inge; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2009)
    We can see many and strong links between music and human body movement in musical performance, in dance, and in the variety of movements that people make in listening situations. There is evidence that sensations of human ...
  • Gonzalez Sanchez, Victor Evaristo; Dahl, Sofia; Hatfield, Johannes Lunde; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    Virtuosity in music performance is often associated with fast, precise, and efficient sound-producing movements. The generation of such highly skilled movements involves complex joint and muscle control by the central ...
  • Godøy, Rolf Inge; Jensenius, Alexander Refsum; Nymoen, Kristian (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2010)
    In our own and other research on music-related actions, findings suggest that perceived action and sound are broken down into a series of chunks in people’s minds when they perceive or imagine music. Chunks are here ...
  • Godøy, Rolf Inge; Jensenius, Alexander Refsum; Voldsund, Arve; Glette, Kyrre Harald; Høvin, Mats Erling; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    Our research on music-related actions is based on the conviction that sensations of both sound and body motion are inseparable in the production and perception of music. The expression "musicrelated actions" is here used ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    The aim of this paper is to present principles of constraint-based sound-motion objects in music performance. Sound-motion objects are multimodal fragments of combined sound and sound-producing body motion, usually in the ...
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge; Wanderley, Marcelo M. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2005)
    We present the Musical Gestures Toolbox, a collection of Max/MSP/Jitter modules to help in qualitative and quantitative analysis of musical gestures. Examples are shown of how the toolbox is used for studying musical ...
  • Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2023)
    ZRob is a robotic system designed for playing a snare drum. The robot is constructed with a passive flexible spring-based joint inspired by the human hand. This paper describes a study exploring rhythmic patterns by ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    This is an exploration of listeners association of gestures with musical sounds. The subjects listen to sounds that have been chosen for various salient features, and the tracing movements made by the subjects are recorded ...
  • Glette, Kyrre Harald; Jensenius, Alexander Refsum; Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    The paper addresses possibilities of extracting information from music-related actions, in the particular case of what we call sound-tracings. These tracings are recordings from a graphics tablet of subjects' drawings ...
  • Jensenius, Alexander Refsum; Glette, Kyrre Harald; Godøy, Rolf Inge; Høvin, Mats Erling; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    The paper reports on the development and activities in the recently established fourMs lab (Music, Mind, Motion, Machines) at the University of Oslo, Norway. As a meeting place for researchers in music and informatics, the ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2009)
    As may be seen at concerts and in various everyday listening situa- tions, people often make spontaneous gestures when listening to music. We believe these gestures are interesting to study because they may reveal important ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2006)
    One of the most remarkable achievements of Pierre Schaeffer's musical thought is his proposal of the sonorous object as the focus of research. The sonorous object is a fragment of sound, typically in the range of a few ...
  • Song, Min-Ho; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2016)
    This paper addresses how to determine a sufficient frame (sampling) rate for an optical motion tracking system using passive reflective markers. When using passive markers for the optical motion tracking, avoiding identity ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2010)
    Based on innumerable informal accounts and a number of scientific studies, there can be no doubt that people often have quite vivid images of musical sound in their minds, and that this is the case regardless of levels of ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2022)
    Musical imagery, defined as having sensations of musical sound in our minds in the absence of any direct auditory input from the outside world, may be both a nuisance (“tune stuck in our ears” or “earworms”) and a pleasure ...
  • Endestad, Tor; Godøy, Rolf Inge; Sneve, Markus Handal; Hagen, Thomas; Bochynska, Agata Elzbieta; Laeng, Bruno (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    We investigated “musical effort” with an internationally renowned, classical, pianist while playing, listening, and imagining music. We used pupillometry as an objective measure of mental effort and fMRI as an exploratory ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    In recent decades, we have seen a surge in published work on embodied music cognition, and it is now broadly accepted that musical experience is intimately linked with experiences of body motion. It is also clear that music ...