• Godøy, Rolf Inge (Chapter / Bokkapittel / SubmittedVersion, 2017)
    There can be no doubt that we often experience correspondences between different sense modalities in music, such as between sound, vision, motion, and touch (just to mention the most prominent ones). This is evident in ...
  • Jensenius, Alexander Refsum; Nymoen, Kristian; Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    The paper presents some challenges faced in developing an experimental setup for studying coarticulation in music-related body movements. This has included solutions for storing and synchronising motion capture, biosensor ...
  • Jensenius, Alexander Refsum; Wanderley, Marcelo M.; Godøy, Rolf Inge; Leman, Marc (Chapter / Bokkapittel / SubmittedVersion, 2010)
    This chapter starts with a review of some current definitions of "gesture". The second part presents a conceptual framework for differentiating various functional aspects of gestures in music performance. The third part ...
  • Akca, Merve; Laeng, Bruno; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Background: Attending to goal-relevant information can leave us metaphorically “blind” or “deaf” to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
    Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / SubmittedVersion, 2017)
    Abstract: Sound-producing body motion and associated body postures shape musical sound in interaction with musical instruments or the vocal apparatus, making images of such body motion and postures integral to our experiences ...
  • Haugen, Mari Romarheim; Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
  • Godøy, Rolf Inge (Research report / Forskningsrapport, 1993)
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    The paper presents sonomotiongram, a technique for the creation of auditory displays of human body motion based on motiongrams. A motiongram is a visual display of motion, based on frame differencing and reduction of a ...
  • Nymoen, Kristian; Tørresen, Jim; Godøy, Rolf Inge; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2012)
    This paper presents an experiment on sound tracing, meaning an experiment on how people relate motion to sound. 38 participants were presented with 18 short sounds, and instructed to move their hands in the air while acting ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 1984)
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge; Kvifte, Tellef (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
    This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrieving and sharing information about music-related gestures. Ideally, it should be possible to store all sorts of data from ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The term coarticulation designates the fusion of small-scale events, such as single sounds and single sound-producing actions, into larger units of combined sound and body motion, resulting in qualitative new features at ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / SubmittedVersion, 2022)
    We may typically experience music as continuous streams of sound and associated body motion, yet we may also perceive music as sequences of more discontinuous events, or as strings of chunks with multimodal sensations of ...