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dc.date.accessioned2020-03-02T19:05:53Z
dc.date.available2020-03-02T19:05:53Z
dc.date.created2019-06-11T11:07:44Z
dc.date.issued2019
dc.identifier.citationKontogeorgakopoulos, Alexandros Sioros, George Klissouras, Odysseas . Mechanical Entanglement: A Collaborative Haptic-Music Performance. Proceedings of the SMC Conferences. 2019
dc.identifier.urihttp://hdl.handle.net/10852/73478
dc.description.abstractMechanical Entanglement is a musical composition for three performers. Three force feedback devices each containing two haptic faders are mutually coupled using virtual linear springs and dampers. During the composition, the performers feel each others’ gestures and collaboratively process the music material. The interaction’s physical modelling parameters are modified during the different sections of the composition. An algorithm which processthree stereo channels, is stretching in and out-of-sync three copies of the same music. The performers are controlling the stretching algorithm and an amplitude modulation effect, both applied to recognisable classical and contemporary music recordings. Each of them is substantially modifying the length and the dynamics of the music and issimultaneously affecting subtly or abruptly the gestural behaviour of the other performers. At fixed points during the composition, the music becomes gradually in sync and the performers realign their gestures. This phasing game between gestures and sound, creates tension and emphasises the physicality of the performance.
dc.languageEN
dc.publisherSociety for Sound and Music Computing
dc.rightsAttribution 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by/3.0/
dc.titleMechanical Entanglement: A Collaborative Haptic-Music Performance
dc.typeChapter
dc.creator.authorKontogeorgakopoulos, Alexandros
dc.creator.authorSioros, George
dc.creator.authorKlissouras, Odysseas
cristin.unitcode185,14,36,95
cristin.unitnameSenter for tverrfaglig forskning på rytme, tid og bevegelse (IMV)
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.cristin1732795
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Proceedings of the SMC Conferences&rft.volume=&rft.spage=&rft.date=2019
dc.identifier.startpage20
dc.identifier.endpage25
dc.identifier.urnURN:NBN:no-76598
dc.type.documentBokkapittel
dc.type.peerreviewedPeer reviewed
dc.source.issn2518-3672
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/73478/2/P1_03_SMC2019_paper.pdf
dc.type.versionPublishedVersion
cristin.btitleSMC 2019 Proceedings of the 16th Sound & Music Computing Conference
dc.relation.projectNFR/262762
dc.relation.projectNFR/249817
dc.relation.projectUIO/144343


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