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Now showing items 81-90 of 118
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2012)
This article presents the development of the improvisation piece Transformation for electric violin and live electronics. The aim of the project was to develop an “invisible” technological setup that would allow the performer ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
What if a musician could step outside the familiar instrumental paradigm and adopt a new embodied language for moving through sound with a dancer in true partnership? And what if a dancer’s body could coalesce with a ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
QuaverSeries consists of a domain-specific language and a single-page web application for collaborative live coding in music performances. Its domain-specific language borrows principles from both programming and digital ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
This paper describes the ongoing process of developing RAW, a collaborative body–machine instrument that relies on `sculpting' the sonification of raw EMG signals. The instrument is built around two Myo armbands located ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
In this paper, we present a course of audio programming using web audio technologies addressed to an interdisciplinary group of master students who are mostly beginners in programming. This course is held in two connected ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
INTIMAL is a physical-virtual system for relational listening, exploring the role of the body as interface that keeps memory of place in migratory contexts. The system is developed to integrate the body movements of ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
This paper describes an interactive art installation shown at ICLI in Trondheim in March 2020. The installation comprised three musical robots (Dr. Squiggles) that play rhythms by tapping. Visitors were invited to wear ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
In acoustic instruments, sound production relies on the interaction between physical objects. Digital musical instruments, on the other hand, are based on arbitrarily designed action--sound mappings. This paper describes ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2020)
In this article, we discuss the challenges and opportunities provided by teaching programming using web audio technologies and adopting a team-based learning (TBL) approach among a mix of colocated and remote students, ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Moving to music is a universal human phenomenon, and previous studies have shown that people move to music even when they try to stand still. However, are there individual differences when it comes to how much people ...