Browsing Institutt for musikkvitenskap by Author "Erdem, Cagri"

Now showing items 1-12 of 12

  • Air-Guitar Control of Interactive Rhythmic Robots 
    Krzyzaniak, Michael Joseph; Veenstra, Frank; Erdem, Cagri; Jensenius, Alexander Refsum; Glette, Kyrre (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes an interactive art installation shown at ICLI in Trondheim in March 2020. The installation comprised three musical robots (Dr. Squiggles) that play rhythms by tapping. Visitors were invited to wear ...
  • Exploring relationships between effort, motion, and sound in new musical instruments 
    Erdem, Cagri; Lan, Qichao; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    We investigated how the action–sound relationships found in electric guitar performance can be used in the design of new instruments. Thirty-one trained guitarists performed a set of basic sound-producing actions (impulsive, ...
  • Gestures in ensemble performance 
    Jensenius, Alexander Refsum; Erdem, Cagri (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2021)
    The topic of gesture has received growing attention among music researchers over recent decades. Some of this research has been summarized in anthologies on "musical gestures", such as those by Gritten and King (2006), ...
  • INTIMAL: Walking to feel place, breathing to feel presence 
    Alarcón Diaz, Ximena; Gonzalez Sanchez, Victor Evaristo; Erdem, Cagri (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    INTIMAL is a physical virtual embodied system for relational listening that integrates body movement, oral archives, and voice expression through telematic improvisatory performance in migratory contexts. It has been ...
  • Measuring Virtual Audiences with The MusicLab App: Proof of Concept 
    Swarbrick, Dana; Upham, Finn; Erdem, Cagri; Jensenius, Alexander Refsum; Vuoskoski, Jonna Katariina (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    We present a proof of concept by using the mobile application MusicLab to measure motion during a livestreamed concert and examining its relation to musical features. With the MusicLab App, participants’ own smartphones’ ...
  • RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation 
    Erdem, Cagri; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes the ongoing process of developing RAW, a collaborative body–machine instrument that relies on `sculpting' the sonification of raw EMG signals. The instrument is built around two Myo armbands located ...
  • The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops 
    von Arnim, Hugh Alexander; Fasciani, Stefano; Erdem, Cagri (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2023)
    This paper presents the Feedback Mop Cello, an instrument integrating acoustic feedback loops generated through a microphone and loudspeaker in combination with a control interface inspired by the cello. Current paradigms ...
  • Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler” 
    Erdem, Cagri; Wallace, Benedikte; Glette, Kyrre; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    Abstract In this article, we introduce the coadaptive audiovisual instrument, CAVI. This instrument uses deep learning to generate control signals based on muscle and motion data of a performer's actions. The ...
  • Towards Playing in the 'Air': Modeling Motion-Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks 
    Erdem, Cagri; Lan, Qichao; Fuhrer, Julian; Martin, Charles Patrick; Tørresen, Jim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    In acoustic instruments, sound production relies on the interaction between physical objects. Digital musical instruments, on the other hand, are based on arbitrarily designed action--sound mappings. This paper describes ...
  • Towards Sound Innovation Engines Using Pattern-Producing Networks and Audio Graphs 
    Jónsson, Björn Thor; Erdem, Cagri; Fasciani, Stefano; Glette, Kyrre (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2024)
  • Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance 
    Erdem, Cagri; Schia, Katja Henriksen; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    This paper describes the process of developing a shared instrument for music–dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew ...
  • Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance 
    Erdem, Cagri; Schia, Katja Henriksen; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    What if a musician could step outside the familiar instrumental paradigm and adopt a new embodied language for moving through sound with a dancer in true partnership? And what if a dancer’s body could coalesce with a ...