Now showing items 1-20 of 38

  • London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...
  • Kwak, Dongho; Olsen, Petter Angell; Danielsen, Anne; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    The primary aim of this article is to provide a biological rhythm model based on previous theoretical and experimental findings to promote more comprehensive studies of rhythmic mechanical stimulation of cell cultures, ...
  • Spiech, Connor; Endestad, Tor; Laeng, Bruno; Danielsen, Anne; Haghish, E.F. (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    The ability to perceive the beat in music is crucial for both music listeners and players with expert musicians being notably skilled at noticing fine deviations in the beat. However, it is unclear whether this beat ...
  • Danielsen, Anne; Johansson, Mats Sigvard; Stover, Chris (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    Abstract This study compares three recent theories of expressive microtiming in music. While each theory was originally designed to engage a particular musical genre—Anne Danielsen’s beat bins for funk, Neo-Soul, ...
  • Haugen, Mari Romarheim; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Previous studies have revealed uneven duration patterns at the sixteenth note level of samba. In the present study, we investigated the influence of tempo on such sixteenth-note patterns in a performed samba groove.The ...
  • Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G.; Witek, Maria (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
  • Danielsen, Anne; Kjus, Yngvar; Kraugerud, Emil (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
    Despite a growing awareness of gender bias in the music sector, there is a lack of research into the particular ways in which this imbalance manifests itself in contemporary music culture. This article combines data from ...
  • Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2019)
  • Groove 
    Câmara, Guilherme Schmidt; Danielsen, Anne (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    This chapter provides an overview of the concept of groove, investigating musical and sonic components of grooves as well as aspects related to pleasure, process, and affect. It starts out by addressing three distinct ...
  • Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    Artikkelen problematiserer den rollen svart rytmisk musikk har spilt innenfor populærmusikkfeltet i etterkrigstiden. Den begynner med en gjennomgang av den historiske bakgrunnen for forestillingen om svart rytme som ...
  • Haugen, Mari Romarheim; Câmara, Guilherme Schmidt; Nymoen, Kristian; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    Body movements play a crucial role in music performance and perception, and they do so well beyond those devoted to sound production itself. Various movements related to the performer’s emotional intentions or structural ...
  • Høffding, Simon; Yi, Wenbo; Lippert, Eigil; Gonzalez Sanchez, Victor Evaristo; Bishop, Laura; Laeng, Bruno; Danielsen, Anne; Jensenius, Alexander Refsum; Wallot, Sebastian (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    Expert musicians portray awe-inspiring precision, timing, and phrasing and may be thought to partake in a “hive-mind.” Such a shared musical absorption is characterized by a heightened empathic relation, mutual trust, and ...
  • Kjus, Yngvar; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2014)
    Live music remains popular in the digital age, as reflected in the growth in music festivals in the 2000s. The increased availability of music online highlights the issue of what sets live music apart but also raises the ...
  • Kjus, Yngvar; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    The use of computers is continuously changing the sound of records but also increasingly challenging established forms of live concert aesthetics. So what becomes of creativity and expressivity in the live performance? In ...
  • Câmara, Guilherme Schmidt; Sioros, George; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    In this article, we explore the various ways in which drummers express a simple ‘backbeat’ pattern when asked to play with different timing styles (laid-back, on-beat, pushed) via manipulation of stroke onset and intensity ...
  • Danielsen, Anne; Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
  • Danielsen, Anne; Helseth, Inger (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
  • Skaansar, Jo Fougner; Laeng, Bruno; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    The present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework ...
  • Danielsen, Anne; Haugen, Mari Romarheim; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    Pulse is a fundamental reference for the production and perception of rhythm. In this paper, we study entrainment to changes in the micro-rhythmic design of the basic pulse of the groove in ‘Left & Right’ by D’Angelo. In ...
  • Kwak, Dongho; Combriat, Thomas Michel Daniel; Wang, Chencheng; Scholz, Hanne; Danielsen, Anne; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    There have been several studies investigating whether musical sound can be used as cell stimuli in recent years. We systematically searched publications to get an overview of studies that have used audible sound played ...