Browsing Institutt for musikkvitenskap by Author "Câmara, Guilherme Schmidt"

Now showing items 1-8 of 8

  • Groove 
    Câmara, Guilherme Schmidt; Danielsen, Anne (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    This chapter provides an overview of the concept of groove, investigating musical and sonic components of grooves as well as aspects related to pleasure, process, and affect. It starts out by addressing three distinct ...
  • Instructed Timing and Body Posture in Guitar and Bass Playing in Groove Performance 
    Haugen, Mari Romarheim; Câmara, Guilherme Schmidt; Nymoen, Kristian; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    Body movements play a crucial role in music performance and perception, and they do so well beyond those devoted to sound production itself. Various movements related to the performer’s emotional intentions or structural ...
  • Mapping timing and intensity strategies in drum-kit performance of a simple back-beat pattern 
    Câmara, Guilherme Schmidt; Sioros, George; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    In this article, we explore the various ways in which drummers express a simple ‘backbeat’ pattern when asked to play with different timing styles (laid-back, on-beat, pushed) via manipulation of stroke onset and intensity ...
  • Sound-producing actions in guitar performance of groove-based microrhythm 
    Câmara, Guilherme Schmidt; Sioros, George; Nymoen, Kristian; Haugen, Mari Romarheim; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    This paper reports on an experiment that investigated how guitarists signal the intended timing of a rhythmic event in a groove-based context via three different features related to sound-producing motions of impulsive ...
  • Swing in early Funk and Jazz-Funk (1967-1971): Micro-rhythmic and Macro-structural investigations 
    Câmara, Guilherme Schmidt (Master thesis / Masteroppgave, 2016)
    The timing of rhythm section instruments in prototypical early period funk and jazz-funk tracks (1967-1971) was investigated in order to gauge to what extent ‘swing’ might be a vital rhythmic quality in funk-based grooves. ...
  • There’s More to Timing than Time: Investigating Musical Microrhythm Across Disciplines and Cultures 
    Danielsen, Anne; Brøvig, Ragnhild; Bøhler, Kjetil Klette; Câmara, Guilherme Schmidt; Haugen, Mari Romarheim; Jacobsen, Eirik; Johansson, Mats Sigvard; Lartillot, Olivier Serge Gabriel; Nymoen, Kristian; Oddekalv, Kjell Andreas; Sandvik, Bjørnar; Sioros, Georgios; London, Justin (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2024)
    The TIME project: Timing and Sound in Musical Microrhythm (2017–2022) studied microrhythm; that is, how dynamic envelope, timbre, and center frequency, as well as the microtiming of a variety of sounds, affect their perceived ...
  • Timing Is Everything . . . Or Is It? Investigating Timing and Sound Interactions in the Performance of Groove-Based Microrhythm 
    Câmara, Guilherme Schmidt (Doctoral thesis / Doktoravhandling, 2021)
    This thesis investigates the expressive means through which musicians well versed in groove-based music shape the timing of a rhythmic event, with a focus on the interaction between produced timing and sound features. In ...
  • Timing Is Everything... Or Is It? Effects of Instructed Timing Style, Reference and Pattern on Drum Kit Sound in Groove-Based Performance 
    Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    THIS STUDY REPORTS ON AN EXPERIMENT THAT tested whether drummers systematically manipulated not only onset but also duration and/or intensity of strokes in order to achieve different timing styles. Twenty-two professional ...