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Now showing items 1-10 of 29
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
In a musical context, the word ‘sound’ implies a set of sonic characteristics. Within popular music, this notion of sound sometimes supplies the very identity of a tune, a band or a musician. Sound is often conceptualised ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2014)
Live music remains popular in the digital age, as reflected in the growth in music festivals in the 2000s. The increased availability of music online highlights the issue of what sets live music apart but also raises the ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2022)
Researchers have argued that temporal microdeviations from the metric grid, such as those produced by musicians in performance, are crucial to making a musical rhythm groovy and danceable. It is curious, then, that the ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
Pulse is a fundamental reference for the production and perception of rhythm. In this paper, we study entrainment to changes in the micro-rhythmic design of the basic pulse of the groove in ‘Left & Right’ by D’Angelo. In ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
The use of computers is continuously changing the sound of records but also increasingly challenging established forms of live concert aesthetics. So what becomes of creativity and expressivity in the live performance? In ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Previous studies have revealed uneven duration patterns at the sixteenth note level of samba. In the present study, we investigated the influence of tempo on such sixteenth-note patterns in a performed samba groove.The ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...