Cinema, Meteorology, and the Erotics of Weather

Abstract

The article explores the notion of a meteorology of cinema. Through the close- and co-reading of a string of smaller books—with subjects such as clouds, rain, and snow—the article conceptualises an approach to weather on film, and grounds this approach in the anti-hermeneutics of Susan Sontag, André Bazin’s geography of cinema, and the movement philosophy of Gaston Bachelard.

Cinema, Meteorology, and the Erotics of Weather