• English
    • Norsk
  • English 
    • English
    • Norsk
  • Administration
View Item 
  •   Home
  • Øvrige samlinger
  • Høstingsarkiver
  • CRIStin høstingsarkiv
  • View Item
  •   Home
  • Øvrige samlinger
  • Høstingsarkiver
  • CRIStin høstingsarkiv
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Music, complexity, and embodiment in performance: a conversation with accordionist Andreas Borregaard

Borregaard, Andreas; Vuoskoski, Jonna Katariina; Hawkins, Roddy
Journal article; SubmittedVersion
View/Open
Borregaard_et_al_preprint.pdf (883.2Kb)
Year
2018
Permanent link
http://urn.nb.no/URN:NBN:no-75692

CRIStin
1630351

Metadata
Show metadata
Appears in the following Collection
  • Institutt for musikkvitenskap [235]
  • Psykologisk institutt [2922]
  • CRIStin høstingsarkiv [15944]
Original version
The Senses & Society. 2018, 13 (3), 335-345, DOI: https://doi.org/10.1080/17458927.2018.1525200
Abstract
As part of the Copenhagen workshop of the Evaluating Methods of Aesthetic Inquiry Network, which took place from the 6th to 8th of April 2017, the organisers invited accordionist Andreas Borregaard to give a performance of two contemporary pieces for the accordion: De Profundis by Sofia Gubaidulina, and Sequenza XIII (chanson) by Luciano Berio. The performance was followed by a discussion on musical complexity and embodiment, chaired by Jonna Vuoskoski. The event was conceived along similar lines as the handling sessions at the Hunterian and Pitt Rivers Museums as a means of allowing the researchers involved in the network to engage with specific works of art and reflect collectively on the experience. It was also a way of continuing with the network’s commitment to furthering new thinking by fostering not only the dialogue between different academic disciplines, but also with art practitioners and performers. Finally, the performance was part of a series of discussions that took place on the first day of the Copenhagen workshop that were concerned with the notion of complexity and how it may be brought to bear on aesthetic issues. This article comprises a transcript of the post-performance discussion, as well as a response written by Roddy Hawkins.
 
Responsible for this website 
University of Oslo Library


Contact Us 
duo-hjelp@ub.uio.no


Privacy policy
 

 

For students / employeesSubmit master thesisAccess to restricted material

Browse

All of DUOCommunities & CollectionsBy Issue DateAuthorsTitlesThis CollectionBy Issue DateAuthorsTitles

For library staff

Login
RSS Feeds
 
Responsible for this website 
University of Oslo Library


Contact Us 
duo-hjelp@ub.uio.no


Privacy policy