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dc.date.accessioned2019-02-05T11:44:10Z
dc.date.available2020-10-31T23:46:02Z
dc.date.created2018-10-12T13:27:06Z
dc.date.issued2018
dc.identifier.citationCâmara, Guilherme Schmidt Danielsen, Anne . Groove. The Oxford Handbook of Critical Concepts in Music Theory. 2018 Oxford University Press
dc.identifier.urihttp://hdl.handle.net/10852/66393
dc.description.abstractThis chapter provides an overview of the concept of groove, investigating musical and sonic components of grooves as well as aspects related to pleasure, process, and affect. It starts out by addressing three distinct general understandings of groove: (1) pattern and performance; (2) pleasure and “wanting to move”; and (3) a state of being. The authors then propose a set of typical (rhythmic) features that seem to be common to a wide range of groove-based styles, exploring five main categories: pulse or regular beat; subdivision of the beat; syncopation; counter-rhythm; and microrhythm. Finally, the chapter presents some viable approaches to the analysis of groove, focusing on swing and anticipated beats in James Brown’s “Get Up (I Feel Like Being A) Sex Machine” (1970), aspects of counter-rhythm in Jackie Wilson’s “(Your Love Keeps Lifting Me) Higher and Higher” (1967), and the extending of beats into beat bins in D’Angelo’s “Left & Right” (2000) and Rihanna’s “Needed Me” (2016). The Oxford Handbook of Critical Concepts in Music Theory edited by Alexander Rehding and Steven Rings, 2018, reproduced by permission of Oxford University Press. DOI: 10.1093/oxfordhb/9780190454746.013.17en_US
dc.languageEN
dc.language.isoenen_US
dc.publisherOxford University Press
dc.titleGrooveen_US
dc.title.alternativeENEngelskEnglishGroove
dc.typeChapteren_US
dc.creator.authorCâmara, Guilherme Schmidt
dc.creator.authorDanielsen, Anne
cristin.unitcode185,14,36,0
cristin.unitnameInstitutt for musikkvitenskap
cristin.ispublishedfalse
cristin.fulltextoriginal
dc.identifier.cristin1620016
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=The Oxford Handbook of Critical Concepts in Music Theory&rft.spage=&rft.date=2018
dc.identifier.pagecount300
dc.identifier.doihttp://dx.doi.org/10.1093/oxfordhb/9780190454746.013.17
dc.identifier.urnURN:NBN:no-69605
dc.type.documentBokkapittelen_US
dc.type.peerreviewedPeer reviewed
dc.source.isbn9780190454746
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/66393/1/oxfordhb-9780190454746-e-17.pdf
dc.type.versionPublishedVersion
cristin.btitleThe Oxford Handbook of Critical Concepts in Music Theory
dc.relation.projectUIO/144343
dc.relation.projectNFR/249817
dc.relation.projectNFR/262762


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