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dc.date.accessioned2018-11-15T16:25:46Z
dc.date.available2018-11-15T16:25:46Z
dc.date.created2018-06-23T20:47:16Z
dc.date.issued2018
dc.identifier.citationGonzalez Sanchez, Victor Evaristo Martin, Charles Patrick Zelechowska, Agata Bjerkestrand, Kari Anne Vadstensvik Johnson, Victoria Jensenius, Alexander Refsum . Bela-based augmented acoustic guitars for sonic microinteraction. Proceedings of the International Conference On New Interfaces For Musical Expression. 2018, 324-327. Blacksburg, VA: Virginia Tech
dc.identifier.urihttp://hdl.handle.net/10852/65556
dc.description.abstractThis article describes the design and construction of a collection of digitally-controlled augmented acoustic guitars, and the use of these guitars in the installation \textit\{Sverm-Resonans\}. The installation was built around the idea of exploring `inverse’ sonic microinteraction, that is, controlling sounds by the micromotion observed when attempting to stand still. It consisted of six acoustic guitars, each equipped with a Bela embedded computer for sound processing (in Pure Data), an infrared distance sensor to detect the presence of users, and an actuator attached to the guitar body to produce sound. With an attached battery pack, the result was a set of completely autonomous instruments that were easy to hang in a gallery space. The installation encouraged explorations on the boundary between the tactile and the kinesthetic, the body and the mind, and between motion and sound. The use of guitars, albeit with an untraditional `performance’ technique, made the experience both familiar and unfamiliar at the same time. Many users reported heightened sensations of stillness, sound, and vibration, and that the `inverse’ control of the instrument was both challenging and pleasant.
dc.description.abstractBela-based augmented acoustic guitars for sonic microinteraction
dc.languageEN
dc.publisherVirginia Tech
dc.relation.ispartofProceedings of the International Conference on New Interfaces for Musical Expression
dc.relation.ispartofseriesProceedings of the International Conference on New Interfaces for Musical Expression
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleBela-based augmented acoustic guitars for sonic microinteraction
dc.title.alternativeENEngelskEnglishBela-based augmented acoustic guitars for sonic microinteraction
dc.typeChapter
dc.creator.authorGonzalez Sanchez, Victor Evaristo
dc.creator.authorMartin, Charles Patrick
dc.creator.authorZelechowska, Agata
dc.creator.authorBjerkestrand, Kari Anne Vadstensvik
dc.creator.authorJohnson, Victoria
dc.creator.authorJensenius, Alexander Refsum
cristin.unitcode185,14,36,0
cristin.unitnameInstitutt for musikkvitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
dc.identifier.cristin1593440
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Proceedings of the International Conference On New Interfaces For Musical Expression&rft.spage=324&rft.date=2018
dc.identifier.startpage324
dc.identifier.endpage327
dc.identifier.pagecount500
dc.identifier.urnURN:NBN:no-68219
dc.type.documentBokkapittel
dc.type.peerreviewedPeer reviewed
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/65556/1/nime2018_paper0068.pdf
dc.type.versionPublishedVersion
cristin.btitleProceedings of the International Conference On New Interfaces For Musical Expression
dc.relation.projectNFR/262762
dc.relation.projectNFR/250698


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