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dc.date.accessioned2018-01-22T12:04:21Z
dc.date.available2018-10-26T22:31:19Z
dc.date.created2016-12-22T19:37:12Z
dc.date.issued2017
dc.identifier.citationJensenius, Alexander Refsum . Sonic Microinteraction in "the Air". The Routledge Companion to Embodied Music Interaction. 2017 Routledge
dc.identifier.urihttp://hdl.handle.net/10852/59646
dc.description.abstractThis chapter looks at the ways in which micromotion, the smallest controllable and perceivable human body motion, can be used in interactive sound systems. It presents a general taxonomy, followed by examples of how sonic microinteraction was designed and rehearsed in the scientific-artistic project Sverm. Here, the focus was on micromotion and microaction performed in “the air,” but the concepts developed by the project can also be transferred to other types of microinteraction. This is a submitted chapter from the book The Routledge Companion to Embodied Music Interaction. © 2017 Routledgeen_US
dc.languageEN
dc.publisherRoutledge
dc.titleSonic Microinteraction in "the Air"en_US
dc.typeChapteren_US
dc.creator.authorJensenius, Alexander Refsum
cristin.unitcode185,14,36,0
cristin.unitnameInstitutt for musikkvitenskap
cristin.ispublishedtrue
cristin.fulltextpreprint
dc.identifier.cristin1417008
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=The Routledge Companion to Embodied Music Interaction&rft.spage=&rft.date=2017
dc.identifier.pagecount512
dc.identifier.urnURN:NBN:no-62327
dc.type.documentBokkapittelen_US
dc.source.isbn9781138657403
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/59646/2/Jensenius_2017_Sonic%2BMicrointeraction%2Bin%2Bthe%2BAir.pdf
dc.type.versionSubmittedVersion
cristin.btitleThe Routledge Companion to Embodied Music Interaction
dc.relation.projectNFR/250698


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