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dc.date.accessioned2017-10-12T15:54:56Z
dc.date.available2017-10-12T15:54:56Z
dc.date.created2015-09-19T18:14:56Z
dc.date.issued2016
dc.identifier.citationKjus, Yngvar Danielsen, Anne . Live Mediation. Performing Concerts Using Studio Technology. Popular Music. 2016, 35(3), 320-337
dc.identifier.urihttp://hdl.handle.net/10852/58759
dc.description.abstractThe use of computers is continuously changing the sound of records but also increasingly challenging established forms of live concert aesthetics. So what becomes of creativity and expressivity in the live performance? In this study, we present an artist-oriented approach to this question through interviews with artists invested in performing studio works on stage, as well as improvising musicians using studio technology in their concerts. We find that challenges to creative authorship and expressive agency are constantly negotiated through evolving practices of up- and down-scaling particular aspects of studio works on stage, as well as designing technological set-ups tailored to individual forms of improvisation. While these practices challenge deep-rooted notions of the ‘right’ or appropriate bond between musician and music, the appropriation of studio technology in live performance has clearly become an integral part of many artists’ continual exploration of their musical agency.en_US
dc.languageEN
dc.language.isoenen_US
dc.publisherCambridge University Press
dc.titleLive Mediation. Performing Concerts Using Studio Technologyen_US
dc.typeJournal articleen_US
dc.creator.authorKjus, Yngvar
dc.creator.authorDanielsen, Anne
cristin.unitcode185,14,36,0
cristin.unitnameInstitutt for musikkvitenskap
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode2
dc.identifier.cristin1265715
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Popular Music&rft.volume=35&rft.spage=320&rft.date=2016
dc.identifier.jtitlePopular Music
dc.identifier.volume35
dc.identifier.issue3
dc.identifier.startpage320
dc.identifier.endpage337
dc.identifier.doihttp://dx.doi.org/10.1017/S0261143016000568
dc.identifier.urnURN:NBN:no-61718
dc.type.documentTidsskriftartikkelen_US
dc.type.peerreviewedPeer reviewed
dc.source.issn0261-1430
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/58759/1/Live%2Bmediation.%2BAccepted%2Bversion%2B.pdf
dc.type.versionAcceptedVersion


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