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The Iconic (Re)Turn: Caravaggio’s "The Crucifixion of St. Peter" between Image, Relic and Martyrdom in Early Modern Italy

dc.contributor.authorNielsen, Simen Kallevik
dc.date.accessioned2017-09-21T22:27:47Z
dc.date.available2017-09-21T22:27:47Z
dc.date.issued2017
dc.identifier.citationNielsen, Simen Kallevik. The Iconic (Re)Turn: Caravaggio’s "The Crucifixion of St. Peter" between Image, Relic and Martyrdom in Early Modern Italy. Master thesis, University of Oslo, 2017
dc.identifier.urihttp://hdl.handle.net/10852/58399
dc.description.abstracteng
dc.language.isoeng
dc.subject
dc.titleThe Iconic (Re)Turn: Caravaggio’s "The Crucifixion of St. Peter" between Image, Relic and Martyrdom in Early Modern Italyeng
dc.typeMaster thesis
dc.date.updated2017-09-21T22:27:47Z
dc.creator.authorNielsen, Simen Kallevik
dc.identifier.urnURN:NBN:no-61109
dc.type.documentMasteroppgave
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/58399/1/Simen-K--Nielsen---Master---2017.pdf


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