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dc.date.accessioned2013-03-12T11:58:15Z
dc.date.available2013-03-12T11:58:15Z
dc.date.issued2010en_US
dc.date.submitted2010-05-03en_US
dc.identifier.citationThelle, Notto J. W.. Making sensors make sense. Masteroppgave, University of Oslo, 2010en_US
dc.identifier.urihttp://hdl.handle.net/10852/26945
dc.description.abstractDespite the fact that digital technology has become an inevitable tool in music production and distribution during the course of the past few decades, live performers of digital musical instruments (DMIs) remain enigmatic to a majority of music audiences. A combination of instrument design issues, limits to the human cognitive system, and cultural constraints may all be contributing factors to these circumstances. This thesis presents a theoretical overview of some challenges in the development of DMIs, weighed against an empirical study based on qualitative research interviews with six DMI performers. Additionally, instrument types are categorized according to the order of separation between action and sound when performing with the instrument (incorporated, direct, mechanical, analog electronic and digital), and a hypothesis regarding the influence of instrument types on the music cognition of performers is tested.eng
dc.language.isoengen_US
dc.titleMaking sensors make sense : challenges in the development of digital musical instrumentsen_US
dc.typeMaster thesisen_US
dc.date.updated2010-10-20en_US
dc.creator.authorThelle, Notto J. W.en_US
dc.subject.nsiVDP::110en_US
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft.au=Thelle, Notto J. W.&rft.title=Making sensors make sense&rft.inst=University of Oslo&rft.date=2010&rft.degree=Masteroppgaveen_US
dc.identifier.urnURN:NBN:no-25366en_US
dc.type.documentMasteroppgaveen_US
dc.identifier.duo102157en_US
dc.contributor.supervisorAlexander Refsum Jenseniusen_US
dc.identifier.bibsys102303568en_US
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/26945/1/NottoThelle_Master.pdf


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