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Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance 
Erdem, Cagri; Schia, Katja Henriksen; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
This paper describes the process of developing a shared instrument for music–dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew ...
Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance 
Erdem, Cagri; Schia, Katja Henriksen; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
What if a musician could step outside the familiar instrumental paradigm and adopt a new embodied language for moving through sound with a dancer in true partnership? And what if a dancer’s body could coalesce with a ...
Towards Playing in the 'Air': Modeling Motion-Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks 
Erdem, Cagri; Lan, Qichao; Fuhrer, Julian; Martin, Charles Patrick; Tørresen, Jim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
In acoustic instruments, sound production relies on the interaction between physical objects. Digital musical instruments, on the other hand, are based on arbitrarily designed action--sound mappings. This paper describes ...
Air-Guitar Control of Interactive Rhythmic Robots 
Krzyzaniak, Michael Joseph; Veenstra, Frank; Erdem, Cagri; Jensenius, Alexander Refsum; Glette, Kyrre (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
This paper describes an interactive art installation shown at ICLI in Trondheim in March 2020. The installation comprised three musical robots (Dr. Squiggles) that play rhythms by tapping. Visitors were invited to wear ...
RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation 
Erdem, Cagri; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
This paper describes the ongoing process of developing RAW, a collaborative body–machine instrument that relies on `sculpting' the sonification of raw EMG signals. The instrument is built around two Myo armbands located ...
 
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Date Issued2020 (3)2019 (2)Document Type
Bokkapittel (5)
Author
Erdem, Cagri (5)
Jensenius, Alexander Refsum (5)
Schia, Katja Henriksen (2)Fuhrer, Julian (1)Glette, Kyrre (1)... View MorePeer Reviewed
Peer reviewed (5)
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