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Now showing items 1-10 of 49
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
The term ‘gesture’ has represented a buzzword in the NIME community since the beginning of its conference series. But how often is it actually used, what is it used to describe, and how does its usage here differ from its ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
Pitch and spatial height are often associated when describing music. In this paper we present results from a sound tracing study in which we investigate such sound–motion relationships. The subjects were asked to move as ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
The MYO armband from Thalmic Labs is a complete and wireless motion and muscle sensing platform. This paper evaluates the armband’s sensors and its potential for NIME applications. This is followed by a presentation of the ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
The term ‘gesture’ has represented a buzzword in the NIME community since the beginning of its conference series. But how often is it actually used, what is it used to describe, and how does its usage here differ from its ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
Human body motion is integral to all parts of musical experience, from performance to perception. But how is it possible to study body motion in a systematic manner? This article presents a set of video-based visualisation ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
This workshop will explore the potential creation of a community database of digital musical instrument (DMI) designs. In other research communities, reproducible research practices are common, including open-source software, ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
Despite increasingly accessible and user-friendly multi-channel compositional tools, many composers still choose stereo formats for their work, where the compositional process is allied to diffusion performance over a ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
This paper provides an overview of the process of editing the forthcoming anthology “A NIME Reader—Fifteen years of New Interfaces for Musical Expression.” The selection process is presented, and we reflect on some of the ...