Now showing items 1-7 of 7

  • Hagen, Anja Nylund (Master thesis / Masteroppgave, 2007)
    Oppgaven viser hvordan dagens populærmusikalske konserter ofte består av sceneshow der live musikk kombineres med medierte visualiseringer. Filmsekvenser, bildecollager,animasjoner og datagenererte bilder preger formidlingen ...
  • Maasø, Arnt; Hagen, Anja Nylund (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how ...
  • Hagen, Anja Nylund (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    Music streaming services encompass features that enable the organization of music into playlists. This article inquires how users describe and make sense of practices and experiences of creating, curating, maintaining, and ...
  • Hagen, Anja Nylund; Lüders, Marika (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Music-streaming services embed social features that enable users to connect to one another and use music as social objects. This paper examines how these features are experienced within negotiations of music as personal ...
  • Hagen, Anja Nylund (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    Hagen offers an analysis of uses of music streaming services, and discusses how such services participate in shaping individual experiences and acquire meaning through how the services are embedded in everyday life. Focusing ...
  • Hagen, Anja Nylund (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2016)
    In Norway music-streaming services have become mainstream in everyday music listening. This paper examines how 12 heavy streaming users make sense of their experiences with Spotify and WiMP Music (now Tidal). The analysis ...
  • Hagen, Anja Nylund (Doctoral thesis / Doktoravhandling, 2015)
    This study is among the first to be explicitly concerned with music-streaming services from a qualitative user perspective. It sheds light on how music in general, and streaming technology in particular, is perceived, made ...