Denne masteroppgaven handler om kvinnelig representasjon eksemplifisert gjennom Henrik Ibsens Nora. Oppgaven er todelt. Den første delen er en historiografisk del. Gjennom forskning på en rekke historiske Nora-er trer tre ...

This thesis tackles an interdisciplinary research that includes both semantics and literature studies in an investigation of the use of emotive terms by the Norwegian author Henrik Ibsen through all of his career. With the ...

Henrik Ibsen’s works have consistently been subjected to a wide variety of adaptations, expanding the limits of spoken drama and dramatic text. Over time, readers and spectators alike have had the opportunity to understand ...

The scarce number of research of Ibsen in Pakistan, despite the popularity of his works in South Asia region, is due to the fact that there have been merely a small number of productions created and performed in the country. ...

Denne artikkelen kontekstualiserer Bjørnstjerne Bjørnsons Sigurd Slembe (1862) historisk, for å belyse hvordan stykket reflekterer pågående samfunnsdebatter og innføringen av en ny assimileringspolitikk. Artikkelen tar ...

Henrik Ibsen’s Peer Gynt was firstly translated and staged in China in the early 1980s, when China had just ended decades of political turbulence and started to reform itself and open up. The Chinese creation and reception ...

This article examines what one might call migration literary features in the Jewish Norwegian author Eva Scheer’s novel Vi bygger i sand (1948). I will investigate themes and sections that in different ways emphasize the ...

Temaet for masteroppgaven min er tyske film-adaptasjoner av Henrik Ibsens verk. Tyskland har gått gjennom ulike politiske faser i det 20. århundre, og hver av disse satte sitt preg både på den tyske kulturen og det tyske ...

This thesis aims at examining Ibsen’s Hedda Gabler from two different perspectives. The first is an examination of Hedda Gabler from its 1890 (19th century) historical Norwegian context as a background (an archaeological ...

For 13 years, from 1851 to 1864, Ibsen worked full time at the Norwegian theatres in Bergen and Christiania (Oslo) as a stage director and theatre manager. Ibsen’s period in the theatre and the repertory he staged have ...

Hedda Gabler is a very ambivalent play. There are many different understandings of her personality. The two contemporary performances on which the research is based are so significantly different that they uncovered new ...

Føler vi også et ubehag når vi er så priviligerte i global og urettferdig verden? Skandinaver er stort sett privilegerte. Gang på gang kåres vi som verdens rikeste, lykkeligste og mest egalitære land. Samtidig fører ...

The influence of literary works in advocating the need for interventionism, a situation where the “civilized West” rescues other parts of the world from themselves – a people whose activities are supposedly characterized ...

This article considers Hallvard Bræin’s 2008 film adaptation of Peer Gynt in light of theories of the post-secular. It argues that the film presents a post-secular interpretation of the ambiguous message of salvation at ...

The problem of free will in The Lady from the Sea prima facie refers to the triangle Ellida, Wangel, and the Stranger. Nonetheless, Bolette s story is the center of the analysis in this thesis. Drawing upon French ...

The primary aim of this thesis has been to investigate how Ibsen's Når Vi Døde Vågner answers Socrates's question - how is one to live? And whether the play s comment on this question is: posthumanist ethico-ono-epistemological ...

The topic of the thesis is the relation between the concepts house and home in Ibsen s drama. I believe that the relationship between house and home is common to his oeuvre in general and not specific to some plays. I ...

This thesis studies the production of Ein Volksfeind created in 2012 by Thomas Ostermeier in the Schaubühne am Lehniner Platz in Berlin. A stage adaptation of Hernik Ibsen s En folkefiende made by Florian Borchmeyer presents ...

It is an exaggeration to claim that several of the protagonists in Ibsen’s dramatic works are from the north, or have lived there. The few characters in Ibsen’s drama related to the North are, however, given a special ...

The topic of my thesis is the ambiguity of the endings of Vildanden, Rosmersholm and Hedda Gabler. This stemmed from my initial research question; how many suicides are there actually in Ibsen s plays? Ibsen has a reputation ...

The Rat Wife in Little Eyolf is a significant and atypical female character in the development of late nineteenth century theatre. The complexity of this character offers costume designers numerous visual possibilities. ...

The topic for my thesis is the importance of night dreams in Henrik Ibsen's plays. My study of the subject is based on two plays, The Vikings of Helgeland and Little Eyolf. The first one is a historical play written in ...

The study of Henrik Ibsen s dramas is confined to the introductory portion of course material in Universities in Ghana and has marginalized the social impact of Ibsen s drama on both students and the Ghanaian community. ...

This article presents the methodology used in a population-based study of early communicative development in Norwegian children using an adaptation of the MacArthur-Bates communicative development inventories (CDI), ...

The topic of my thesis is the political influence on Ibsen’s reception in Georgia. The political phases that Georgia has undergone since the 1890s, when the first paper on Ibsen was published, are dramatically different ...

The use of Ibsen dramas in training theatre professionals in most cultures cannot be overlooked due to the nature, and impact of Ibsen s works on contemporary societies and his contribution to the development of modern ...

Hedda Gabler is among the most commented and staged Henrik Ibsen's plays. It illustrates Ibsen's deep understanding of women's problems, desires and behavior. The protagonist is a very intense and puzzling character. She ...

Of all Ibsen’s plays A Doll’s House(1879)is the most read in Ghana but rarely performed. This study looks at the only performance of A Doll’s House in Ghana with analysis of the director’s interpretation. It also traces ...

Denne artikkelen presenterer funn fra en studie av tidlig kommunikativ utvikling hos ca. 6500 norske, enspråklige barn mellom 8 og 36 måneder. Studien gjorde bruk av en tilpasning til norsk av foreldrerapporteringsinstrumentet ...

My thesis deals with the ethics of early Ibsen, taking for its scope the early plays written by Ibsen between 1850-1857, just before the Christiania Marriage Crisis. My thesis both creatively engages with and finally ...

The aim of this project is to analyze and understand When We Dead Awaken from different angles, especially in comparison with the nineteenth century sculptor Auguste Rodin and his models. Looking at previous study on the ...

The piano was the nineteenth-century status-symbol and the epitome of domestic bourgeois ideology. Learning to play the piano was a necessary part in the education of any well-bred girl. Also, the piano could provide the ...

In my thesis, I will argue whether the diverse layers of water in the play function as “the life” of Ibsen’s characters, mainly of his protagonists, and whether the element of water reflects the inner nature of the characters. ...

Kan man se Henrik Ibsen som en forløper for Samuel Beckett, i den forstand at Ibsen kan sies å innlede det Beckett i sine dramaer sluttfører? I Peter Szondis Theorie des modernen Dramas 1880-1950 (1956/1972) behandles både ...

Almost no any other country owned so many performances of A Doll’s House as China, especially in the certain periods, for example, May Fourth Movement period and in 1930s, A Doll’s House is performed in China more frequently ...

Abstract Henrik Ibsen is one of the most important Western dramatists in China. It was he who inspired the Chinese to create a completely new style of art: the Spoken Drama. For the last few decades, however, Ibsen scholars ...

Title: “Ibsen as Understood in Bangladesh Ghosts and A Doll’s House seen through the Lenses of Gender” Student: Sabiha Huq Abstract of the thesis: It is already established by the academia that one and the most important ...

This thesis investigates Mangfoldsåret or “The Year of Cultural Diversity,” the 2008 Norwegian government initiative focused on creating a more inclusive and multicultural arts scene. I examine the year through the lens ...

Det er ikke så kjent at Ibsen har funnet inspirasjon i de norrøne sagaene og folkelige kilder som viser og sagn, helt i samsvar med den nasjonalromantiske bevegelsen i Norge på 1850-tallet. I denne oppgaven har jeg påvist ...

The aim of this thesis is to discuss whether Ibsen’s female characters indeed qualify as tragic heroines, that is, whether or not they epitomize in Ibsen’s acceptance the generic concept of “The Tragic Muse”. Due to the ...

The Taiwanese production represents Henrik Ibsen's En folkefiende with a new adaptation. Its peculiar merit is Storyteller, an added role, which annotates the play throughout the performance. In the thesis, Storyteller's ...

This thesis shows that the initial awareness, the first signs of reaction towards performatives and performances in life lies in late modern Europe, i.e. in the 19th century. Besides being the age of late modernity, this ...

The theme of my thesis is the sacrifice of female characters in some of Ibsen’s plays. The questions that I want to ask are the following: Why do these heroines sacrifice their lives and what does their sacrifice consist ...

Analyse av: Et dukkehjem, Vildanden, Når vi døde vågner

The work analyses the connections between the famous Tarantella of a A Doll’s House and the phenomenon of Tarantism. Starting from the recent finding of the treatise of Bergosøe, friend and travelling companion of Ibsen ...

In this thesis on the spatiality of Henrik Ibsen’s The Master Builder, I argue that the play is dominated by spatial concerns. On the most basic level, the play is the product of a specific cultural-historical space, ...

Innledningsvis skrives det her om Henrik Ibsens Tysklandsopphold, hans tyskkunnskaper, hans forhold til tyske oversettere og oversettelser. Hoveddelen består av en sammenligning av 8 tyske oversettelser av "Bygmester ...