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An Archetypal Reading of Rosmersholm 
Faramarzi, Fardad (Master thesis / Masteroppgave, 2021)
A Performance Analysis of Ostermeier's Nora Restricted Access
Talebisomehsaraei, Yassaman (Master thesis / Masteroppgave, 2021)
Fra Bergen til Beijing – En analyse av kvinnelig representasjon sett gjennom Nora 
Haaland, Signe Agnete Gullestad (Master thesis / Masteroppgave, 2021)
Denne masteroppgaven handler om kvinnelig representasjon eksemplifisert gjennom Henrik Ibsens Nora. Oppgaven er todelt. Den første delen er en historiografisk del. Gjennom forskning på en rekke historiske Nora-er trer tre ...
Emotive hammer: a Lexical Semantics analysis of Henrik Ibsen’s emotion words 
Cardone, Cristiano (Master thesis / Masteroppgave, 2021)
This thesis tackles an interdisciplinary research that includes both semantics and literature studies in an investigation of the use of emotive terms by the Norwegian author Henrik Ibsen through all of his career. With the ...
Dancing with Ghosts: Tensions between Classical Ballet and Ibsen's Modern Drama 
Stewart, Lianna Elizabeth (Master thesis / Masteroppgave, 2021)
Henrik Ibsen’s works have consistently been subjected to a wide variety of adaptations, expanding the limits of spoken drama and dramatic text. Over time, readers and spectators alike have had the opportunity to understand ...
Henrik Ibsen's When We Dead Awaken and Surrealism 
Peterson, Amanda Astrid (Master thesis / Masteroppgave, 2021)
Nora’s Journey to Pakistan: Tehrik-e-Niswan’s Gurrya Ka Ghar and the Challenges of Adapting A Doll’s House in Pakistani Context Restricted Access
Chivakanit, Kanittha (Master thesis / Masteroppgave, 2020)
The scarce number of research of Ibsen in Pakistan, despite the popularity of his works in South Asia region, is due to the fact that there have been merely a small number of productions created and performed in the country. ...
Deconstructing Modern-Western Masculinity in Three Film Adaptations of 'Peer Gynt' 
Guggisberg, Eric Todd (Master thesis / Masteroppgave, 2020)
Bjørnsons Sigurd Slembe og samenes plass i Norges kulturelle arkiv 
Rees, Ellen Rebecca (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Denne artikkelen kontekstualiserer Bjørnstjerne Bjørnsons Sigurd Slembe (1862) historisk, for å belyse hvordan stykket reflekterer pågående samfunnsdebatter og innføringen av en ny assimileringspolitikk. Artikkelen tar ...
Ibsen in the Theater of Meyerhold Restricted Access
Mazmishvili, Nino (Master thesis / Masteroppgave, 2019)
Ibsen’s Reappearance in China: Chinese and Norwegian interests in the first Chinese Peer Gynt in the 1980s 
Jiang, Dongling (Master thesis / Masteroppgave, 2019)
Henrik Ibsen’s Peer Gynt was firstly translated and staged in China in the early 1980s, when China had just ended decades of political turbulence and started to reform itself and open up. The Chinese creation and reception ...
The Spatial Expression of Power in Henrik Ibsen’s Plays: A Doll’s House, Hedda Gabler, The Master Builder Restricted Access
Maglakelidze, Mariam (Master thesis / Masteroppgave, 2019)
Henrik Ibsen's unfinished plays rediscovered through Antonin Artaud's theory Restricted Access
Popa, Alexandra (Master thesis / Masteroppgave, 2019)
Hedda with and without hijab (The influence of different sites on Juni Dahr’s Hedda Gabler) Restricted Access
Arbabi, Fatemeh (Master thesis / Masteroppgave, 2018)
A Gender Perspective on Ibsen's Pillars of Society: Re-conceptualising the Notion of the Emancipated Woman Restricted Access
Nikoi, Nda Naa Kuorkor (Master thesis / Masteroppgave, 2018)
Scripta manent. Time travel through forgotten words and retrieved information on the tracks of Suzannah Ibsen's intellectuality. 
Felisio, Giulia (Master thesis / Masteroppgave, 2018)
Om postkolonialisme, migrasjonsprosesser og hybride identiteter. En lesning av Eva Scheers Vi bygger i sand (1948) 
Brovold, Madelen (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
This article examines what one might call migration literary features in the Jewish Norwegian author Eva Scheer’s novel Vi bygger i sand (1948). I will investigate themes and sections that in different ways emphasize the ...
Jørgen Tesman as the protagonist in Hedda Gabler — a study on Ibsen's beginning writing Restricted Access
Mak, Yin Fei (Master thesis / Masteroppgave, 2018)
Tyske film-adaptasjoner av Henrik Ibsens verk Restricted Access
Dolidze, Maka (Master thesis / Masteroppgave, 2017)
Temaet for masteroppgaven min er tyske film-adaptasjoner av Henrik Ibsens verk. Tyskland har gått gjennom ulike politiske faser i det 20. århundre, og hver av disse satte sitt preg både på den tyske kulturen og det tyske ...
AN ARCHAEOLOGICAL AND GENEALOGICAL READING OF IBSEN’S HEDDA GABLER From 19th Century Norwegian Perspective and 21st Century Ghanaian Perspective Restricted Access
Gbevor, Justine Sellassie (Master thesis / Masteroppgave, 2017)
This thesis aims at examining Ibsen’s Hedda Gabler from two different perspectives. The first is an examination of Hedda Gabler from its 1890 (19th century) historical Norwegian context as a background (an archaeological ...
En kamæleon i vittighedsbladenes tjeneste: En undersøgelse af danske vittighedsblades parodiske behandling af Henrik Ibsen Restricted Access
Rasmussen, Thomas (Master thesis / Masteroppgave, 2017)
Characters, Ideals and Sacrifice Osvald’s Death in Ghosts Approached from an Individual Psychological Perspective 
Ruan, Shan (Master thesis / Masteroppgave, 2017)
Popular Theatre - Highbrow or Lowbrow 
Nygaard, Jon (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
For 13 years, from 1851 to 1864, Ibsen worked full time at the Norwegian theatres in Bergen and Christiania (Oslo) as a stage director and theatre manager. Ibsen’s period in the theatre and the repertory he staged have ...
A Tale of Two Heddas: The contemporary face of Hedda Gabler in two modern adaptations Restricted Access
Nutsubidze, Nino (Master thesis / Masteroppgave, 2016)
Hedda Gabler is a very ambivalent play. There are many different understandings of her personality. The two contemporary performances on which the research is based are so significantly different that they uncovered new ...
Skandinaviske fortellinger om skyld og privilegier i en globaliseringstid 
Oxfeldt, Elisabeth; Helland, Frode; Andersen, Per Thomas; Sandberg, Kristian Lødemel; Frøjd, Ylva; Dancus, Adriana Margareta; Solum, Ove; Iversen, Kristina Leganger; Wyller, Trygve; Rees, Ellen; Yang, Julianne Q. M. (Book / Bok / PublishedVersion; Peer reviewed, 2016)
Føler vi også et ubehag når vi er så priviligerte i global og urettferdig verden? Skandinaver er stort sett privilegerte. Gang på gang kåres vi som verdens rikeste, lykkeligste og mest egalitære land. Samtidig fører ...
Satire or Colonial Discourse? A Contrapuntal Reading of Peer Gynt Restricted Access
Koomson, Faustina Aba (Master thesis / Masteroppgave, 2016)
The influence of literary works in advocating the need for interventionism, a situation where the “civilized West” rescues other parts of the world from themselves – a people whose activities are supposedly characterized ...
Post-Secular Salvation: Hallvard Bræin's Gatas Gynt 
Rees, Ellen Rebecca (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2015)
This article considers Hallvard Bræin’s 2008 film adaptation of Peer Gynt in light of theories of the post-secular. It argues that the film presents a post-secular interpretation of the ambiguous message of salvation at ...
The Use of nostalgia as a Dramatic Tool in Ibsen s When We Dead Awaken Restricted Access
Suvi, Raoul (Master thesis / Masteroppgave, 2015)
To See the Midnight Sun: Free Will, Liberation, and Responsibility in The Lady from the Sea s Subplot 
Arsovska, Julijana (Master thesis / Masteroppgave, 2015)
The problem of free will in The Lady from the Sea prima facie refers to the triangle Ellida, Wangel, and the Stranger. Nonetheless, Bolette s story is the center of the analysis in this thesis. Drawing upon French ...
The Fate of How One Is to Live in Ibsen's Når Vi Døde Vågner: Toward a Posthumanist Ethico-onto-epistemological Performance of Life as a Work of Art in iterative Intra-activity of Becoming Restricted Access
Samiei, Seyed Mahdi (Master thesis / Masteroppgave, 2015)
The primary aim of this thesis has been to investigate how Ibsen's Når Vi Døde Vågner answers Socrates's question - how is one to live? And whether the play s comment on this question is: posthumanist ethico-ono-epistemological ...
House and home - The existential dimension in Anders T. Andersen s John Gabriel Borkman 
Elsen, Cecilia Catherine Florence (Master thesis / Masteroppgave, 2015)
The topic of the thesis is the relation between the concepts house and home in Ibsen s drama. I believe that the relationship between house and home is common to his oeuvre in general and not specific to some plays. I ...
The Relation Between Political and Aesthetical: Three Performance Studies of Thomas Ostermeier s Production "Ein Volksfeind" 
Aleshchenko, Alina (Master thesis / Masteroppgave, 2015)
This thesis studies the production of Ein Volksfeind created in 2012 by Thomas Ostermeier in the Schaubühne am Lehniner Platz in Berlin. A stage adaptation of Hernik Ibsen s En folkefiende made by Florian Borchmeyer presents ...
Melodramatiske elementer i Ibsens Vildanden og Hedda Gabler 
Hambro, Linda Margaret (Master thesis / Masteroppgave, 2015)
The mystery of the "North of the North" in Ibsen's works 
Nygaard, Jon (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2015)
It is an exaggeration to claim that several of the protagonists in Ibsen’s dramatic works are from the north, or have lived there. The few characters in Ibsen’s drama related to the North are, however, given a special ...
The Lies in A Doll House Restricted Access
Huang, Jieqi (Master thesis / Masteroppgave, 2014)
Ibsen's Ambiguous Endings: Reassessments of the 'suicides' in Vildanden, Rosmersholm and Hedda Gabler Restricted Access
Collinson, Tom (Master thesis / Masteroppgave, 2014)
The topic of my thesis is the ambiguity of the endings of Vildanden, Rosmersholm and Hedda Gabler. This stemmed from my initial research question; how many suicides are there actually in Ibsen s plays? Ibsen has a reputation ...
Ibsen and Costume: a case study of the Rat Wife 
Ajami, Sahar (Master thesis / Masteroppgave, 2014)
The Rat Wife in Little Eyolf is a significant and atypical female character in the development of late nineteenth century theatre. The complexity of this character offers costume designers numerous visual possibilities. ...
Importance of Night Dreams in Ibsen's Plays A Psychoanalytic study of The Vikings of Helgeland and Little Eyolf 
Bardzimashvili, Nino (Master thesis / Masteroppgave, 2014)
The topic for my thesis is the importance of night dreams in Henrik Ibsen's plays. My study of the subject is based on two plays, The Vikings of Helgeland and Little Eyolf. The first one is a historical play written in ...
ADAPTING IBSEN'S DRAMAS AS SOURCE MATERIAL FOR THEATRE FOR DEVELOPMENT IN GHANA Restricted Access
Gli, Vivian Mawuli (Master thesis / Masteroppgave, 2014)
The study of Henrik Ibsen s dramas is confined to the introductory portion of course material in Universities in Ghana and has marginalized the social impact of Ibsen s drama on both students and the Ghanaian community. ...
The political agenda of An Enemy of the People and its impact on Ghanaian politics 
Olivette, Marcia (Master thesis / Masteroppgave, 2014)
The use of the Internet in collecting CDI data - an example from Norway 
Kristoffersen, Kristian Emil; Bleses, Dorthe; Wehberg, Sonja; Jørgensen, Rune Nørgaard; Eiesland, Eli Anne; Henriksen, Laila Yvonne; Simonsen, Hanne Gram (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
This article presents the methodology used in a population-based study of early communicative development in Norwegian children using an adaptation of the MacArthur-Bates communicative development inventories (CDI), ...
The Political Influence on Ibsen's Reception in Georgia 
Nodia, Mariam (Master thesis / Masteroppgave, 2013)
The topic of my thesis is the political influence on Ibsen’s reception in Georgia. The political phases that Georgia has undergone since the 1890s, when the first paper on Ibsen was published, are dramatically different ...
Ibsen Education in Ghana 
Baffoe, Eric Yaw (Master thesis / Masteroppgave, 2013)
The use of Ibsen dramas in training theatre professionals in most cultures cannot be overlooked due to the nature, and impact of Ibsen s works on contemporary societies and his contribution to the development of modern ...
Ibsen’s (Un)Educated Women : The Concept of Women’s Education in A Doll House, An Enemy of the People, The Wild Duck and Rosmersholm 
Balazadeh, Maryam (Master thesis / Masteroppgave, 2012)
An Eco-Feminist Reading of Four Plays of Henrik Ibsen 
Zhou, Xujia (Master thesis / Masteroppgave, 2012)
Woman in the Artist's World : Post-Jungian reading of Hedda Gabler 
Retecki, Marcin Ryszard (Master thesis / Masteroppgave, 2012)
Hedda Gabler is among the most commented and staged Henrik Ibsen's plays. It illustrates Ibsen's deep understanding of women's problems, desires and behavior. The protagonist is a very intense and puzzling character. She ...
Contemporary Ghanaian perceptions of A Doll's house 
Anku, Solace Sefakor (Master thesis / Masteroppgave, 2012)
Of all Ibsen’s plays A Doll’s House(1879)is the most read in Ghana but rarely performed. This study looks at the only performance of A Doll’s House in Ghana with analysis of the director’s interpretation. It also traces ...
Utvikling og variasjon i kommunikative ferdigheter hos barn som lærer norsk en CDI-basert studie. 
Kristoffersen, Kristian Emil; Simonsen, Hanne Gram; Eiesland, Eli Anne; Henriksen, Laila Yvonne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2012)
Denne artikkelen presenterer funn fra en studie av tidlig kommunikativ utvikling hos ca. 6500 norske, enspråklige barn mellom 8 og 36 måneder. Studien gjorde bruk av en tilpasning til norsk av foreldrerapporteringsinstrumentet ...
The Ethics of Early Ibsen : An Examination of the Ethics of Ibsen’s Early Plays Between 1850-1857 Restricted Access
Chen, Melvin (Master thesis / Masteroppgave, 2012)
My thesis deals with the ethics of early Ibsen, taking for its scope the early plays written by Ibsen between 1850-1857, just before the Christiania Marriage Crisis. My thesis both creatively engages with and finally ...
The Platonic Cave in Henrik Ibsen’s (Anti-) Platonic Plays: The Wild Duck 
Mazloumsaki, Azadeh (Master thesis / Masteroppgave, 2012)
The Model, the Artist and the False Dilemma : A comparative analysis of When We Dead Awaken Restricted Access
Hu, Xin (Master thesis / Masteroppgave, 2011)
The aim of this project is to analyze and understand When We Dead Awaken from different angles, especially in comparison with the nineteenth century sculptor Auguste Rodin and his models. Looking at previous study on the ...
Ibsen's piano : a cultural and literary analysis of 'A doll house', 'Hedda Gabler' and 'John Gabriel Borkman' from the perspective of the piano as a visual and auditory element in the plays 
Todic, Sofija (Master thesis / Masteroppgave, 2010)
The piano was the nineteenth-century status-symbol and the epitome of domestic bourgeois ideology. Learning to play the piano was a necessary part in the education of any well-bred girl. Also, the piano could provide the ...
Water; life which moves on earth : water as the mode of self-reflection in The Lady from the sea 
Weerawarnakula, Chandima Thyaga (Master thesis / Hovedoppgave, 2010)
In my thesis, I will argue whether the diverse layers of water in the play function as “the life” of Ibsen’s characters, mainly of his protagonists, and whether the element of water reflects the inner nature of the characters. ...
Fra Ibsen til Beckett 
Kildal, Ellen-Margrethe (Master thesis / Masteroppgave, 2010)
Kan man se Henrik Ibsen som en forløper for Samuel Beckett, i den forstand at Ibsen kan sies å innlede det Beckett i sine dramaer sluttfører? I Peter Szondis Theorie des modernen Dramas 1880-1950 (1956/1972) behandles både ...
Nora's performance in China (1914-2010) : inspiration, communities and political theatre 
Chen, Xiaofei (Master thesis / Masteroppgave, 2010)
Almost no any other country owned so many performances of A Doll’s House as China, especially in the certain periods, for example, May Fourth Movement period and in 1930s, A Doll’s House is performed in China more frequently ...
Intercultural Ibsen in Contemporary China 
Zha, Xiaofen (Master thesis / Masteroppgave, 2009)
Abstract Henrik Ibsen is one of the most important Western dramatists in China. It was he who inspired the Chinese to create a completely new style of art: the Spoken Drama. For the last few decades, however, Ibsen scholars ...
Ibsen as Understood in Bangladesh : Ghosts and A Doll’s House seen through the Lenses of Gender 
Sabiha, Huq (Master thesis / Hovedoppgave, 2009)
Title: “Ibsen as Understood in Bangladesh Ghosts and A Doll’s House seen through the Lenses of Gender” Student: Sabiha Huq Abstract of the thesis: It is already established by the academia that one and the most important ...
Looking for Ibsen in Mangfoldsåret : Investigating processes and barriers to multiculturalism in the Norwegian theatre 
Lixian, Cheng (Master thesis / Masteroppgave, 2009)
This thesis investigates Mangfoldsåret or “The Year of Cultural Diversity,” the 2008 Norwegian government initiative focused on creating a more inclusive and multicultural arts scene. I examine the year through the lens ...
Relevance of Ibsen to contemporary Bangladesh : a study of Brand 
Ahsanuzzaman, Ahmed (Master thesis / Masteroppgave, 2008)
Finding the poem inside the play : Robert Brustein's theory and practice of Ibsen's drama 
Oppenheim, Jonathan (Master thesis / Masteroppgave, 2008)
Ibsen og nasjonalromantikken : norrøne og folkelige motiver i Hærmændene på Helgeland, Kongs-emnerne og Gildet på Solhaug 
Berberska, Ekaterina (Master thesis / Masteroppgave, 2008)
Det er ikke så kjent at Ibsen har funnet inspirasjon i de norrøne sagaene og folkelige kilder som viser og sagn, helt i samsvar med den nasjonalromantiske bevegelsen i Norge på 1850-tallet. I denne oppgaven har jeg påvist ...
Ibsen in China : his reception and influence analyzed in time order 
Xu, Jing (Master thesis / Masteroppgave, 2008)
Existential boredom in Ibsen's and Chekhov's plays 
Kharina, Alla (Master thesis / Masteroppgave, 2008)
Modernity and Ibsen's "tragic muse" 
Horntvedt, Claudia (Master thesis / Masteroppgave, 2008)
The aim of this thesis is to discuss whether Ibsen’s female characters indeed qualify as tragic heroines, that is, whether or not they epitomize in Ibsen’s acceptance the generic concept of “The Tragic Muse”. Due to the ...
Sancthansnatten - moderne, radikalt og nasjonalromantisk drama : Ibsen og det folkloristiske 
Lind, Beate Weisser (Master thesis / Masteroppgave, 2007)
The eternal Chinese storyteller in Ren Min Gong Di : a study of how Taiwanese artists render socio-political criticism in Henrik Ibsen's En folkefiende 
Dehng, Quanlon (Master thesis / Masteroppgave, 2007)
The Taiwanese production represents Henrik Ibsen's En folkefiende with a new adaptation. Its peculiar merit is Storyteller, an added role, which annotates the play throughout the performance. In the thesis, Storyteller's ...
Performance and modernity : analysis of When We Dead Awaken 
Markovska, Jasminka (Master thesis / Masteroppgave, 2007)
This thesis shows that the initial awareness, the first signs of reaction towards performatives and performances in life lies in late modern Europe, i.e. in the 19th century. Besides being the age of late modernity, this ...
The faces of feminine devotion in Ibsen's theatre 
Dan, Cynthia Paula (Master thesis / Masteroppgave, 2007)
The theme of my thesis is the sacrifice of female characters in some of Ibsen’s plays. The questions that I want to ask are the following: Why do these heroines sacrifice their lives and what does their sacrifice consist ...
Modern dramatic elements in three plays by Henrik Ibsen 
Vasic-Jovanovic, Milica (Master thesis / Masteroppgave, 2007)
Analyse av: Et dukkehjem, Vildanden, Når vi døde vågner
Tarantism and tarantella in A doll's house 
Colella, Sandra (Master thesis / Masteroppgave, 2007)
The work analyses the connections between the famous Tarantella of a A Doll’s House and the phenomenon of Tarantism. Starting from the recent finding of the treatise of Bergosøe, friend and travelling companion of Ibsen ...
"Homes for human beings" : a spatial reading of Ibsen's The Master Builder 
Grimbeek, Marinette (Master thesis / Masteroppgave, 2007)
In this thesis on the spatiality of Henrik Ibsen’s The Master Builder, I argue that the play is dominated by spatial concerns. On the most basic level, the play is the product of a specific cultural-historical space, ...
"Bygmester Solness" - "Baumeister Solness" : ein Übersetzungsvergleich von acht deutschen Übersetzungen der letzten 100 Jahre anhand von Textstellen aus dem 1. Akt des Dramas von Henrik Ibsen 
Losch, Kari Sofie (Master thesis / Masteroppgave, 2007)
Innledningsvis skrives det her om Henrik Ibsens Tysklandsopphold, hans tyskkunnskaper, hans forhold til tyske oversettere og oversettelser. Hoveddelen består av en sammenligning av 8 tyske oversettelser av "Bygmester ...
 
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Date Issued2020 - 2021 (9)2010 - 2019 (46)2007 - 2009 (17)Document TypeMasteroppgave (62)Tidsskriftartikkel (7)Hovedoppgave (2)Bok (1)AuthorEiesland, Eli Anne (2)Henriksen, Laila Yvonne (2)Kristoffersen, Kristian Emil (2)Nygaard, Jon (2)Rees, Ellen Rebecca (2)... View MorePeer ReviewedPeer reviewed (8)
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