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(Master thesis / Masteroppgave, 2008)
(Master thesis / Masteroppgave, 2007)
(Master thesis / Masteroppgave, 2010)
The piano was the nineteenth-century status-symbol and the epitome of domestic bourgeois ideology. Learning to play the piano was a necessary part in the education of any well-bred girl. Also, the piano could provide the ...
(Master thesis / Masteroppgave, 2007)
The Taiwanese production represents Henrik Ibsen's En folkefiende with a new adaptation. Its peculiar merit is Storyteller, an added role, which annotates the play throughout the performance. In the thesis, Storyteller's ...
(Master thesis / Masteroppgave, 2008)
(Master thesis / Masteroppgave, 2008)
Det er ikke så kjent at Ibsen har funnet inspirasjon i de norrøne sagaene og folkelige kilder som viser og sagn, helt i samsvar med den nasjonalromantiske bevegelsen i Norge på 1850-tallet. I denne oppgaven har jeg påvist ...
(Master thesis / Masteroppgave, 2008)
(Master thesis / Hovedoppgave, 2010)
In my thesis, I will argue whether the diverse layers of water in the play function as “the life” of Ibsen’s characters, mainly of his protagonists, and whether the element of water reflects the inner nature of the characters. ...
(Master thesis / Masteroppgave, 2009)
Abstract
Henrik Ibsen is one of the most important Western dramatists in China. It was he who inspired the Chinese to create a completely new style of art: the Spoken Drama. For the last few decades, however, Ibsen scholars ...
(Master thesis / Masteroppgave, 2012)