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(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
INTIMAL is a physical virtual embodied system for relational listening that integrates body movement, oral archives, and voice expression through telematic improvisatory performance in migratory contexts. It has been ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
Nikolay Myaskovsky (1881–1950) was highly esteemed as a Soviet composer, only surpassed by Prokofiev and Shostakovich among his contemporaries, and in the West famous conductors like Stokowski and Furtwängler performed his ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
This essay uses the Deleuzo-Guattarian concept of the war machine to develop a way of thinking about research-creation, following Erin Manning’s suggestion that the latter—as a hyphenated compound structure—can function ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
This paper articulates the design for the first stage of INTIMAL: a physical/virtual embodied interactive system for relational listening in the context of human migration, set within the artistic practice of improvisatory ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
Virtuosity in music performance is often associated with fast, precise, and efficient sound-producing movements. The generation of such highly skilled movements involves complex joint and muscle control by the central ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object as a basic unit of musical experience and his insistence on listening as a main focus of research. Out of this research ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2019)
The links between music and human movement have been shown to provide insight into crucial aspects of human’s perception, cognition, and sensorimotor systems. In this study, we examined the influence of music on movement ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
The present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
How can ethnography and music theory and analysis richly inform one another? One way is to incorporate the words and concepts used by high-level practitioners to build a theoretical scaffolding—to build an analytic framework ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
This article explores trends and motivations in the selection of plainchant and vernacular song quotations as the foundations of thirteenth-century motets. I argue that particular tenor melodies that received only cursory ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
We present a method for tempo estimation from audio recordings based on signal processing and peak tracking, and not depending on training on ground-truth data. First, an accentuation curve, emphasizing the temporal location ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
Having “good rhythm” is essential in both music and competitive rowing, but what exactly constitutes “good rhythm,” and how do we achieve it? Although rhythm is often discussed in purely auditory terms, I argue that rhythm ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
In this paper, we advance the thesis that music-making can be advantageously understood as an exploratory phenomenon. While music-making is certainly about aesthetic expression, from a phenomenological, cognitive, and even ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
In this paper we present results from our ongoing project Student Active Learning in a Two campus Organization(SALTO). This is funded as part of the Norwegian University of Science and Technology’s (NTNU) Teaching Excellence ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
This paper describes a multidisciplinary encounter with oral testimony archives and their incorporation in the artistic research project Intimal. It explores ways in which to creatively listen to stories which might be ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
How do artists use copyright to further their creative ends? To approach this question, this article focuses on the relationship between artists’ appropriation of digital technology and exertion of their rights. In particular, ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
Learning to read changes the brain language system. Phonological processing is the language domain most crucial for reading, but it is still unknown how reading acquisition modifies the neural phonological network in ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
We examine two “producer-oriented” audio distribution platforms, SoundCloud and Bandcamp, which have been important repositories for the hopes of musicians, commentators, and audiences that digital technologies and cultural ...