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Now showing items 1-9 of 9
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
Pulse is a fundamental reference for the production and perception of rhythm. In this paper, we study entrainment to changes in the micro-rhythmic design of the basic pulse of the groove in ‘Left & Right’ by D’Angelo. In ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
The MYO armband from Thalmic Labs is a complete and wireless motion and muscle sensing platform. This paper evaluates the armband’s sensors and its potential for NIME applications. This is followed by a presentation of the ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
Recording music-related motions in ecological valid situa- tions can be challenging. We investigate the performance of three devices providing 3D acceleration data, namely Axivity AX3, iPhone 4s and a Wii controller tracking ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
Certain traditional Norwegian and Swedish dance tunes in triple meter are referred to as being in so-called asymmetrical meter—that is, the three beats in the measure are of uneven duration. Norwegian telespringar is ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2015)
I have never been quite convinced by the way the story of ‘high modernism’ has generally been told. More often than not, it has been a saga of radical ruptures and new starts—a ‘progress narrative’ involving limitless ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
The Passacaglia finale from György Ligeti's Le Grand Macabre (1974–7, rev. 1996) has been described as a point of stylistic crisis, marking Ligeti's return to more traditional compositional means. Consonances and tonal ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)