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Now showing items 1-28 of 28
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
In this paper, we report on a free-hand motion capture study in which 32 participants ‘traced’ 16 melodic vocal phrases with their hands in the air in two experimental conditions. Melodic contours are often thought of as ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Many common and popular sound spatialisation techniques and methods rely on listeners being positioned in a “sweet-spot” for an optimal listening position in a circle of speakers. This paper discusses a stochastic ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
This chapter presents an overview of some methodological approaches and technologies that can be used in the study of music-related body motion. The aim is not to cover all possible approaches, but rather to highlight some ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
A partir de las memorias sonoras de los pasajeros del transporte público subterráneo en Londres, México y París, creé el sitio interactivo en internet Sounding Underground. Esta interfaz articula estructural y aleatoriamente ...
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
Since the international breakthrough of The Sugarcubes and Björk in the late 1980s, the Anglophone discourse surrounding Icelandic popular music has proven to be the latest instance of a long history of representation in ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in Critical Approaches to the Production of Music and Sound on 11-01-2018 , available online: https://www.bloomsbury.com/9781501332050
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
This paper describes the process of developing a standstill performance work using the Myo gesture control armband and the Bela embedded computing platform. The combination of Myo and Bela allows a portable and extensible ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
The Musical Gestures Toolbox for Matlab (MGT) aims at assisting music researchers with importing, preprocessing, analyzing, and visualizing video, audio, and motion capture data in a coherent manner within Matlab.
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Melodic contour, the ‘shape’ of a melody, is a common way to visualize and remember a musical piece. The purpose of this paper is to explore the building blocks of a future ‘gesture-based’ melody retrieval system. We present ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
This article describes the design and construction of a collection of digitally-controlled augmented acoustic guitars, and the use of these guitars in the installation \textit\{Sverm-Resonans\}. The installation was built ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Entrepreneurship in Higher Music Education in Norway.
Recently, in Norway, entrepreneurship in higher education has received increased attention. Research projects in Norwegian universities and university colleges initiated ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2018)
As part of the Copenhagen workshop of the Evaluating Methods of Aesthetic Inquiry Network, which took place from the 6th to 8th of April 2017, the organisers invited accordionist Andreas Borregaard to give a performance ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2018)
Our integrative framework for explaining the enjoyment of sadness associated with music sparked a delightful number (13) of commentaries which challenge, stimulate, strengthen and shape the ideas we initially put forward. ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
This chapter provides an overview of the concept of groove, investigating musical and sonic components of grooves as well as aspects related to pleasure, process, and affect. It starts out by addressing three distinct ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Head movements of groups of participants moving to music allowing for both duple and triple subdivisions were analysed using Recurrence Quantification Analysis. As expected the maximum recurrence rate varied between ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
Background Automated detection of pitch in polyphonic music remains a difficult challenge (Benetos et al., 2013). Robust solutions can be found for simple cases such as monodies. Implementation of perceptive/cognitive ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Sound and music computing (SMC) is still an emerging field in many institutions, and the challenge is often to gain critical mass for developing study programs and undertake more ambitious research projects. We report on ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
This chapter addresses the relationship between repetition and variation in repetitive music. Building on philosopher Gilles Deleuze’s discussion of repetition (Difference and Repetition, 1994), and more particularly on ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
Agency is a concept employed widely and in varied ways across interdisciplinary music studies, from the philosophical to the experimental scientific. This article explores some of the theories and methodologies that inform ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
In this chapter, the author begins with a discussion of different notions of metre, and clarifies how she use the term, and offers a brief presentation of the theory of entrainment and dynamic attending, before turning to ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
Despite a growing awareness of gender bias in the music sector, there is a lack of research into the particular ways in which this imbalance manifests itself in contemporary music culture. This article combines data from ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
The relationships between human body motion and music have been the focus of several studies characterizing the correspondence between voluntary motion and various sound features. The study of involuntary movement to music, ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
Der æ so vent å vestoheio. Intonation in a "gammelstev" from Setesdal.
(Research report / Forskningsrapport / PublishedVersion; Peer reviewed, 2018)
This paper describes the two variants OL1 and OL2 of the model submitted to the MIREX 2018 tempo estimation tasks, and compare them with respect to my previous submission for MIREX 2013.
(Research report / Forskningsrapport / PublishedVersion, 2018)
The SoundTracer project is a collaborative effort between the Norwegian National Library and the Department of Musicology at the University of Oslo. The goal of the project is to use the audio recordings collected by the ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
In recent decades, we have seen a surge in published work on embodied music cognition, and it is now broadly accepted that musical experience is intimately linked with experiences of body motion. It is also clear that music ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
Nikolay Myaskovsky (1881–1950) was highly esteemed as a Soviet composer, only surpassed by Prokofiev and Shostakovich among his contemporaries, and in the West famous conductors like Stokowski and Furtwängler performed his ...