Search
Now showing items 1-5 of 5
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
Artikkelen problematiserer den rollen svart rytmisk musikk har spilt innenfor populærmusikkfeltet i etterkrigstiden. Den begynner med en gjennomgang av den historiske bakgrunnen for forestillingen om svart rytme som ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
Recorded sound is acousmatic, meaning that it does not display any visual sound sources. When people listen to recorded/acousmatic sound, they generally apply their previous experiences with the acoustical conditions of ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
I afroamerikanske rytmiske musikktradisjoner er utformingen av rytmikken på mikronivå, for eksempel timing, frasering og valg av lyd, avgjørende for kvaliteten på musikken. Det er ikke nok å spille det riktige mønsteret, ...