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The Craft of Yoiking: Philosophical Variations on Sámi Chants 
Aubinet, Stéphane (Doctoral thesis / Doktoravhandling, 2020)
The yoik is a vocal technique practised by the Sámi of Northern Europe. It relies on circular melodies, chanted in everyday life and a cappella, with or without lyrics. Each melody evokes a particular being, usually a ...
Computational Analysis of Melodic Contour and Body Movement 
Kelkar, Tejaswinee (Doctoral thesis / Doktoravhandling, 2019)
The aim of this dissertation is to understand the role of embodiment in melodic contour perception. In other words, it studies how we move our bodies in response to music. Melodies play an important role in both speech and ...
Panoramic Constraints: A Study of Johan Svendsen's Musical Sketches and Exercises 
Christophersen, Bjørn Morten (Doctoral thesis / Doktoravhandling, 2016)
Johan Svendsen is one of the most influential Scandinavian composers of the nineteenth century. He contributed in particular to the orchestral repertoire in Scandinavia and he was a celebrated conductor throughout Europe. ...
JOHAN HALVORSEN (1864-1935). En undersøkelse av hans kunstneriske virke og en stilistisk gjennomgang av hans komposisjoner. Med en tematisk verkoversikt og en kronologisk fortegnelse over Halvorsens konsertvirksomhet. 
Dybsand, Øyvin (Doctoral thesis / Doktoravhandling, 2016)
Bind 1-2 er en undersøkelse av Johan Halvorsens kunstneriske virke og en stilistisk gjennomgang av hans komposisjoner, mens bind 3 inneholder en tematisk verkoversikt, en kronologisk fortegnelse over Halvorsens konsertvirksomhet ...
Music-Dance. Investigating Rhythm Structures in Brazilian Samba and Norwegian Telespringar Performance 
Haugen, Mari Romarheim (Doctoral thesis / Doktoravhandling, 2016)
This thesis investigates the interaction between perceived rhythm and underlying reference structures in the experience of rhythm in music. The point of departure is that both music performers’ and perceivers’ body motions ...
Staging the real: Identity politics and urban space in mainstream Norwegian rap music 
Sandve, Birgitte (Doctoral thesis / Doktoravhandling, 2014)
This project deals with how notions of urban space in rap music might attach to certain meanings or identification through cultural practices. Through my case studies I present analyses and readings of the Norwegian rap ...
Thematic Counterpoint And Adjacent Constructional Texturing In Tchaikovsky's Six Symphonies 
Hundsnes, Svein (Doctoral dissertation / Doktoravhandling, 2014)
This thesis aims to demonstrate that Tchaikovsky’s symphonic style is explicitly contrapuntal. Not only has this aspect of the composer been significantly undervalued in western musicology until today, it would be about ...
Scratching the Surface. Marit Larsen and Marion Ravn: Popular Music and Gender in a Transcultural Context 
Ålvik, Jon Mikkel Broch (Doctoral thesis / Doktoravhandling, 2014)
In this thesis, I investigate into the politics of gendered representation in Norwegian popular music, and how these function in a transcultural context. To this end, I take Norwegian pop artists Marit Larsen and Marion ...
Barns bruk av fonogrammer. Om konstituering av musikalsk mening i barnekulturelt perspektiv. 
Vestad, Ingeborg Lunde (Doctoral thesis / Doktoravhandling, 2013)
Barn i barnehagealder har rik tilgang til musikk. Kanskje har de allerede som seksåringer hørt mer musikk enn deres oldeforeldre gjorde gjennom et helt liv. Men hvorfor hører barn på musikk? Hva betyr musikken for barna ...
Music in Bits and Bits of Music: Signatures of Digital Mediation in Popular Music Recordings 
Brøvig-Hanssen, Ragnhild (Doctoral thesis / Doktoravhandling, 2013)
Technological mediation has been imperative to popular music's production throughout its history. In addition to their impact upon the means of producing popular music, new developments in technology have always had an ...
Salome Ever and Never the Same: (Re)productions of a Canonized Opera 
Høgåsen-Hallesby, Hedda (Doctoral thesis / Doktoravhandling, 2013)
Devoted to productions of Salome by Richard Strauss, this dissertation discusses opera as a material exemplification of canonicity as a process. Its premise is that opera should be treated as a coexistence of repeated texts ...
Self-organised Sound with Autonomous Instruments: Aesthetics and experiments 
Holopainen, Risto (Doctoral thesis / Doktoravhandling, 2012)
Autonomous instruments are computer programmes that generate music algorithmically and without realtime interaction, from the waveform level up to the large scale form. This thesis addresses questions of aesthetics and the ...
The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music 
Zeiner-Henriksen, Hans T. (Doctoral thesis / Doktoravhandling, 2010)
The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection ...
Sansningens poetikk : John Cages estetiske praksis - "a non-knowledge of something that had not yet happened" 
Göran, Mia (Doctoral thesis / Doktoravhandling, 2009)
Correspondences between music and body movement 
Haga, Egil (Doctoral thesis / Doktoravhandling, 2008)
This thesis explores the way we perceive correspondences between music and body movement. This is done by analysing similarities between music and movement in terms of specific features in music and movement. The analyses ...
 
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Date Issued2010 - 2020 (13)2008 - 2009 (2)Document Type
Doktoravhandling (15)
AuthorAubinet, Stéphane (1)Brøvig-Hanssen, Ragnhild (1)Christophersen, Bjørn Morten (1)Dybsand, Øyvin (1)Göran, Mia (1)... View More
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