Technological mediation has been imperative to popular music's production throughout its history. In addition to their impact upon the means of producing popular music, new developments in technology have always had an ...

In this thesis, I investigate into the politics of gendered representation in Norwegian popular music, and how these function in a transcultural context. To this end, I take Norwegian pop artists Marit Larsen and Marion ...

Devoted to productions of Salome by Richard Strauss, this dissertation discusses opera as a material exemplification of canonicity as a process. Its premise is that opera should be treated as a coexistence of repeated texts ...

The aim of this dissertation is to understand the role of embodiment in melodic contour perception. In other words, it studies how we move our bodies in response to music. Melodies play an important role in both speech and ...