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Now showing items 11-20 of 20
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
Simultaneous handling and synchronisation of data related to music, such as score annotations, MIDI, video, motion descriptors, sensor data, etc. requires special tools due to the diversity of this data. We present a toolbox ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2010)
In our own and other research on music-related actions, findings suggest that perceived action and sound are broken down into a series of chunks in people’s minds when they perceive or imagine music. Chunks are here ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
The paper presents the interactive music system SoloJam, which allows a group of participants with little or no musical training to effectively play together in a ``band-like'' setting. It allows the participants to take ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
In this paper we present the Dance Jockey System, a system developed for using a full body inertial motion capture suit (Xsens MVN) in music/dance performances. We present different strategies for extracting relevant ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
The paper presents a conceptual overview of how optical infrared marker based motion capture systems (IrMoCap) can be used in musical interaction. First we present a review of related work of using IrMoCap for musical ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
In this paper we present some custom designed filters for real-time motion capture applications. Our target application is motion controllers, i.e. systems that interpret hand motion for musical interaction. In earlier ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
Links between music and body motion can be studied through experiments called sound-tracing. One of the main challenges in such research is to develop robust analysis techniques that are able to deal with the multidimensional ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
The paper presents the SoundSaber - a musical instrument based on motion capture technology. We present technical details of the instrument and discuss the design development process. The SoundSaber may be used as an example ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
Our research on music-related actions is based on the conviction that sensations of both sound and body motion are inseparable in the production and perception of music. The expression "musicrelated actions" is here used ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
We consider the issue of how a flexible musical space can be manipulated by users of an active music system. The musical space is navigated within by selecting transitions between different sections of the space. We take ...