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Now showing items 1-10 of 16
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
This is an exploration of listeners association of gestures with musical sounds. The subjects listen to sounds that have been chosen for various salient features, and the tracing movements made by the subjects are recorded ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
This paper discusses the need for a framework for describing musical instruments and their design, and discusses some possible elements in such a framework. The framework is meant as an aid in the development of a coherent ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2009)
The paper presents Nymophone2, an acoustic instrument with a complex relationship between performance actions and emergent sound. A method for describing the multidimensional control actions needed to play the instrument ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
Fundamental to the development of musical or artistic creative work is the ability to transform raw materials. This ability implies the facility to master many facets of the material, and to shape it with plasticity. ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
The paper presents some challenges faced in developing an experimental setup for studying coarticulation in music-related body movements. This has included solutions for storing and synchronising motion capture, biosensor ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2008)
An approach for creating structured Open Sound Control (OSC) messages by separating the addressing of node values and node properties is suggested. This includes a method for querying values and properties. As a result, ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
This paper presents our current approach in using a Polhemus Liberty electromagnetic tracker for controlling spatialization in a performance setup for small ensemble. We are developing a Gesture Description Interchange ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrieving and sharing information about music-related gestures. Ideally, it should be possible to store all sorts of data from ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2009)
We can see many and strong links between music and human body movement in musical performance, in dance, and in the variety of movements that people make in listening situations. There is evidence that sensations of human ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2007)
This paper summarises a panel discussion at the 2007 International Computer Music Conference on movement and gesture data formats, presents some of the formats currently in development in the computer music community, and ...