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(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
This paper presents our work on building low-cost music controllers intended for educational and creative use. The main idea was to build an electronic music controller, including sensors and a sensor interface, on a "10 ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2009)
As may be seen at concerts and in various everyday listening situa- tions, people often make spontaneous gestures when listening to music. We believe these gestures are interesting to study because they may reveal important ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2007)
One of the most important music critics of the early twentieth century, Paul Eugen Max Bekker was born in Berlin on September 11, 1882, to a tailor and a seamstress. After a career as a violinist and a short stint as a ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2008)
This is a piece originally written by Paul Bekker (1882-1937). It has been translated by Martin Morgenstern and Nanette Nielsen with James Steichen. This piece was originally published in German in Letters to Contemporary ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2006)
One of the most remarkable achievements of Pierre Schaeffer's musical thought is his proposal of the sonorous object as the focus of research. The sonorous object is a fragment of sound, typically in the range of a few ...