Search
Now showing items 1-8 of 8
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
Mobile music technology opens many new opportunities in terms of location-aware systems, social interaction etc., but we should not forget that many challenges faced in immobile music technology research are also apparent ...
(Research report / Forskningsrapport, 2008)
Technical report from pilot studies in the Sensing Music-related Actions group. The report presents simple motion sensor technology and issues regarding pre-processing of music-related motion data.
In cognitive music ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2008)
An approach for creating structured Open Sound Control (OSC) messages by separating the addressing of node values and node properties is suggested. This includes a method for querying values and properties. As a result, ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
Fundamental to the development of musical or artistic creative work is the ability to transform raw materials. This ability implies the facility to master many facets of the material, and to shape it with plasticity. ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
The paper presents some challenges faced in developing an experimental setup for studying coarticulation in music-related body movements. This has included solutions for storing and synchronising motion capture, biosensor ...
(Research report / Forskningsrapport, 2008)
The purpose of this Short-Term Scientific Mission has been to investigate the use of the Sound Description Interchange Format (SDIF) as a container format for Gesture Description Interchange Format (GDIF) recordings. Much ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2008)
This is a piece originally written by Paul Bekker (1882-1937). It has been translated by Martin Morgenstern and Nanette Nielsen with James Steichen. This piece was originally published in German in Letters to Contemporary ...
(Doctoral thesis / Doktoravhandling, 2008)
This thesis explores the way we perceive correspondences between music and body movement. This is done by analysing similarities between music and movement in terms of specific features in music and movement. The analyses ...