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Developing Tools for Studying Musical Gestures within the Max/MSP/Jitter Environment 
Jensenius, Alexander Refsum; Godøy, Rolf Inge; Wanderley, Marcelo M. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2005)
We present the Musical Gestures Toolbox, a collection of Max/MSP/Jitter modules to help in qualitative and quantitative analysis of musical gestures. Examples are shown of how the toolbox is used for studying musical ...
Exploring Music-Related Gestures by Sound-Tracing: A Preliminary Study 
Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
This is an exploration of listeners association of gestures with musical sounds. The subjects listen to sounds that have been chosen for various salient features, and the tracing movements made by the subjects are recorded ...
A Multilayered GDIF-Based Setup for Studying Coarticulation in the Movements of Musicians 
Jensenius, Alexander Refsum; Nymoen, Kristian; Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
The paper presents some challenges faced in developing an experimental setup for studying coarticulation in music-related body movements. This has included solutions for storing and synchronising motion capture, biosensor ...
Towards a gesture description interchange format 
Jensenius, Alexander Refsum; Godøy, Rolf Inge; Kvifte, Tellef (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrieving and sharing information about music-related gestures. Ideally, it should be possible to store all sorts of data from ...
Body Movement in Music Information Retrieval 
Godøy, Rolf Inge; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2009)
We can see many and strong links between music and human body movement in musical performance, in dance, and in the variety of movements that people make in listening situations. There is evidence that sensations of human ...
fourMs, University of Oslo Lab Report 
Jensenius, Alexander Refsum; Glette, Kyrre Harald; Godøy, Rolf Inge; Høvin, Mats Erling; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
The paper reports on the development and activities in the recently established fourMs lab (Music, Mind, Motion, Machines) at the University of Oslo, Norway. As a meeting place for researchers in music and informatics, the ...
Extracting action-sound features from a sound-tracing study 
Glette, Kyrre Harald; Jensenius, Alexander Refsum; Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
The paper addresses possibilities of extracting information from music-related actions, in the particular case of what we call sound-tracings. These tracings are recordings from a graphics tablet of subjects' drawings ...
Musical Gestures: concepts and methods in research 
Jensenius, Alexander Refsum; Wanderley, Marcelo M.; Godøy, Rolf Inge; Leman, Marc (Chapter / Bokkapittel / SubmittedVersion, 2010)
This chapter starts with a review of some current definitions of "gesture". The second part presents a conceptual framework for differentiating various functional aspects of gestures in music performance. The third part ...
A Statistical Approach to Analyzing Sound Tracings 
Nymoen, Kristian; Tørresen, Jim; Godøy, Rolf Inge; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2012)
This paper presents an experiment on sound tracing, meaning an experiment on how people relate motion to sound. 38 participants were presented with 18 short sounds, and instructed to move their hands in the air while acting ...
Classifying Music-Related Actions 
Godøy, Rolf Inge; Jensenius, Alexander Refsum; Voldsund, Arve; Glette, Kyrre Harald; Høvin, Mats Erling; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
Our research on music-related actions is based on the conviction that sensations of both sound and body motion are inseparable in the production and perception of music. The expression "musicrelated actions" is here used ...
 
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