Search
Now showing items 1-10 of 37
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
In a musical context, the word ‘sound’ implies a set of sonic characteristics. Within popular music, this notion of sound sometimes supplies the very identity of a tune, a band or a musician. Sound is often conceptualised ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2014)
Live music remains popular in the digital age, as reflected in the growth in music festivals in the 2000s. The increased availability of music online highlights the issue of what sets live music apart but also raises the ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2022)
Researchers have argued that temporal microdeviations from the metric grid, such as those produced by musicians in performance, are crucial to making a musical rhythm groovy and danceable. It is curious, then, that the ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
Pulse is a fundamental reference for the production and perception of rhythm. In this paper, we study entrainment to changes in the micro-rhythmic design of the basic pulse of the groove in ‘Left & Right’ by D’Angelo. In ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2019)
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
Recorded sound is acousmatic, meaning that it does not display any visual sound sources. When people listen to recorded/acousmatic sound, they generally apply their previous experiences with the acoustical conditions of ...