Now showing items 161-169 of 169

  • Gadir, Tami (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    Agency is a concept employed widely and in varied ways across interdisciplinary music studies, from the philosophical to the experimental scientific. This article explores some of the theories and methodologies that inform ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The term coarticulation designates the fusion of small-scale events, such as single sounds and single sound-producing actions, into larger units of combined sound and body motion, resulting in qualitative new features at ...
  • Skogstad, Ståle Andreas van Dorp; Jensenius, Alexander Refsum; Nymoen, Kristian (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    The paper presents a conceptual overview of how optical infrared marker based motion capture systems (IrMoCap) can be used in musical interaction. First we present a review of related work of using IrMoCap for musical ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    Navigating hours of video material is often time-consuming, and traditional keyframe displays are not particularly useful when studying single-shot studio recordings of music-related movement. This paper presents the idea ...
  • Nymoen, Kristian; Danielsen, Anne; London, Justin (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
  • Jensenius, Alexander Refsum; Johnson, Victoria (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    We report on the development of a video based analysis system that controls concatenative sound synthesis and sound spatialisation in realtime in concert performances. The system has been used in several pieces, most ...
  • Barrett, Natasha; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
    Despite increasingly accessible and user-friendly multi-channel compositional tools, many composers still choose stereo formats for their work, where the compositional process is allied to diffusion performance over a ...
  • Erdem, Cagri; Schia, Katja Henriksen; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    This paper describes the process of developing a shared instrument for music–dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew ...
  • Tørresen, Jim; Renton, Eirik; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    This paper presents a comparison of different configurations of a wireless sensor system for capturing human motion. The systems consist of sensor elements which wirelessly transfers motion data to a receiver element. The ...