Now showing items 125-144 of 175

  • Høgåsen-Hallesby, Hedda (Doctoral thesis / Doktoravhandling, 2013)
    Devoted to productions of Salome by Richard Strauss, this dissertation discusses opera as a material exemplification of canonicity as a process. Its premise is that opera should be treated as a coexistence of repeated texts ...
  • Ålvik, Jon Mikkel Broch (Doctoral thesis / Doktoravhandling, 2014)
    In this thesis, I investigate into the politics of gendered representation in Norwegian popular music, and how these function in a transcultural context. To this end, I take Norwegian pop artists Marit Larsen and Marion ...
  • Nymoen, Kristian; Jensenius, Alexander Refsum; Tørresen, Jim; Glette, Kyrre Harald; Skogstad, Ståle Andreas van Dorp (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    In this paper we present a method for studying relationships between features of sound and features of movement. The method has been tested by carrying out an experiment with people moving an object in space along with ...
  • Nielsen, Nanette (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2007)
    One of the most important music critics of the early twentieth century, Paul Eugen Max Bekker was born in Berlin on September 11, 1882, to a tailor and a seamstress. After a career as a violinist and a short stint as a ...
  • Holopainen, Risto (Doctoral thesis / Doktoravhandling, 2012)
    Autonomous instruments are computer programmes that generate music algorithmically and without realtime interaction, from the waveform level up to the large scale form. This thesis addresses questions of aesthetics and the ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    Tremolo is usually regarded as belonging to the domain of note embellishments. Rapid tremolo, taken into the audio range, is an interesting synthesis technique which is related to FMand granular synthesis. We present a ...
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    The purpose of this Short-Term Scientific Mission has been to investigate the use of the Sound Description Interchange Format (SDIF) as a container format for Gesture Description Interchange Format (GDIF) recordings. Much ...
  • Bevilacqua, Frédéric; Fels, Sidney; Jensenius, Alexander Refsum; Lyons, Michael; Schnell, Norbert; Tanaka, Atau (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2013)
    This SIG intends to investigate the ongoing dialogue between music technology and the field of human-computer interaction. Our specific aims are to consider major findings of musical interface research over recent years ...
  • Størvold, Tore (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
    Since the international breakthrough of The Sugarcubes and Björk in the late 1980s, the Anglophone discourse surrounding Icelandic popular music has proven to be the latest instance of a long history of representation in ...
  • Godøy, Rolf Inge (Research report / Forskningsrapport, 1993)
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    Technical report from pilot studies in the Sensing Music-related Actions group. The report presents simple motion sensor technology and issues regarding pre-processing of music-related motion data. In cognitive music ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    Apart from the sounds they make, synthesis models are distinguished by how the sound is controlled by synthesis parameters. Smoothness under parameter changes is often a desirable aspect of a synthesis model. The concept ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    Mobile music technology opens many new opportunities in terms of location-aware systems, social interaction etc., but we should not forget that many challenges faced in immobile music technology research are also apparent ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    This paper presents an overview of techniques for creating visual displays of human body movement based on video recordings. First a review of early movement and video visualization techniques is given. Then follows an ...
  • Bradley, Catherine Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / SubmittedVersion, 2017)
    This chapter looks at the ways in which micromotion, the smallest controllable and perceivable human body motion, can be used in interactive sound systems. It presents a general taxonomy, followed by examples of how sonic ...
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    The paper presents sonomotiongram, a technique for the creation of auditory displays of human body motion based on motiongrams. A motiongram is a visual display of motion, based on frame differencing and reduction of a ...
  • Holbrook, Ulf A. S. (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object as a basic unit of musical experience and his insistence on listening as a main focus of research. Out of this research ...
  • Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    The paper presents the SoundSaber - a musical instrument based on motion capture technology. We present technical details of the instrument and discuss the design development process. The SoundSaber may be used as an example ...