Now showing items 115-134 of 169

  • Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Despite the rise of global online music services like iTunes and Spotify, local and physical music retailers are not extinct. Although many have faced redundancy, others are turning their local presence and technological ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Many practices of contemporary DJ-driven electronic dance music derive from 1970s club scenes in the United States, which were welcoming spaces for people who otherwise encountered prejudice for their gender identities and ...
  • Edwards, Peter (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    The Passacaglia finale from György Ligeti's Le Grand Macabre (1974–7, rev. 1996) has been described as a point of stylistic crisis, marking Ligeti's return to more traditional compositional means. Consonances and tonal ...
  • Haugen, Mari Romarheim; Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
  • Tørresen, Jim; Glette, Kyrre Harald; Jensenius, Alexander Refsum; Furuholmen, Marcus (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2009)
    The Robotics and Intelligent Systems group conducts research in the interdisciplinary field of robotics, machine learning, reconfigurable hardware and sensing human actions. The group is affiliated to the Department of ...
  • Ålvik, Jon Mikkel Broch (Doctoral thesis / Doktoravhandling, 2014)
    In this thesis, I investigate into the politics of gendered representation in Norwegian popular music, and how these function in a transcultural context. To this end, I take Norwegian pop artists Marit Larsen and Marion ...
  • Nymoen, Kristian; Jensenius, Alexander Refsum; Tørresen, Jim; Glette, Kyrre Harald; Skogstad, Ståle Andreas van Dorp (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    In this paper we present a method for studying relationships between features of sound and features of movement. The method has been tested by carrying out an experiment with people moving an object in space along with ...
  • Nielsen, Nanette (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2007)
    One of the most important music critics of the early twentieth century, Paul Eugen Max Bekker was born in Berlin on September 11, 1882, to a tailor and a seamstress. After a career as a violinist and a short stint as a ...
  • Holopainen, Risto (Doctoral thesis / Doktoravhandling, 2012)
    Autonomous instruments are computer programmes that generate music algorithmically and without realtime interaction, from the waveform level up to the large scale form. This thesis addresses questions of aesthetics and the ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    Tremolo is usually regarded as belonging to the domain of note embellishments. Rapid tremolo, taken into the audio range, is an interesting synthesis technique which is related to FMand granular synthesis. We present a ...
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    The purpose of this Short-Term Scientific Mission has been to investigate the use of the Sound Description Interchange Format (SDIF) as a container format for Gesture Description Interchange Format (GDIF) recordings. Much ...
  • Bevilacqua, Frédéric; Fels, Sidney; Jensenius, Alexander Refsum; Lyons, Michael; Schnell, Norbert; Tanaka, Atau (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2013)
    This SIG intends to investigate the ongoing dialogue between music technology and the field of human-computer interaction. Our specific aims are to consider major findings of musical interface research over recent years ...
  • Størvold, Tore (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
    Since the international breakthrough of The Sugarcubes and Björk in the late 1980s, the Anglophone discourse surrounding Icelandic popular music has proven to be the latest instance of a long history of representation in ...
  • Godøy, Rolf Inge (Research report / Forskningsrapport, 1993)
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    Technical report from pilot studies in the Sensing Music-related Actions group. The report presents simple motion sensor technology and issues regarding pre-processing of music-related motion data. In cognitive music ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    Apart from the sounds they make, synthesis models are distinguished by how the sound is controlled by synthesis parameters. Smoothness under parameter changes is often a desirable aspect of a synthesis model. The concept ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    Mobile music technology opens many new opportunities in terms of location-aware systems, social interaction etc., but we should not forget that many challenges faced in immobile music technology research are also apparent ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    This paper presents an overview of techniques for creating visual displays of human body movement based on video recordings. First a review of early movement and video visualization techniques is given. Then follows an ...