Now showing items 127-146 of 202

  • Jensenius, Alexander Refsum; Camurri, Antonio; Castagné, Nicolas; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas; Schwartz, Diemo; Wright, Matthew (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2007)
  • Christophersen, Bjørn Morten (Doctoral thesis / Doktoravhandling, 2016)
    Johan Svendsen is one of the most influential Scandinavian composers of the nineteenth century. He contributed in particular to the orchestral repertoire in Scandinavia and he was a celebrated conductor throughout Europe. ...
  • Høffding, Simon; Roald, Tone (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview ...
  • Martin, Charles Patrick (Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
    This article describes how percussive interaction informed the design, development and deployment of a series of touchscreen digital musical instruments for ensembles. Percussion has previously been defined by techniques ...
  • Jensenius, Alexander Refsum; Johnson, Victoria (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2012)
    This article presents the development of the improvisation piece Transformation for electric violin and live electronics. The aim of the project was to develop an “invisible” technological setup that would allow the performer ...
  • Nymoen, Kristian; Chandra, Arjun; Glette, Kyrre Harald; Tørresen, Jim; Voldsund, Arve; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
    We consider the issue of how a flexible musical space can be manipulated by users of an active music system. The musical space is navigated within by selecting transitions between different sections of the space. We take ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
    Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
  • Guldbrandsen, Erling E. (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2015)
    I have never been quite convinced by the way the story of ‘high modernism’ has generally been told. More often than not, it has been a saga of radical ruptures and new starts—a ‘progress narrative’ involving limitless ...
  • Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
    How do dancers engage with electronic dance music (EDM) when dancing? This paper reports on an empirical study of dancers' pleasurable engagement with three structural properties of EDM: (1) breakdown, (2) build-up, and ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / SubmittedVersion, 2017)
    Abstract: Sound-producing body motion and associated body postures shape musical sound in interaction with musical instruments or the vocal apparatus, making images of such body motion and postures integral to our experiences ...
  • Llorens, Anais; Funderud, Ingrid; Blenkmann, Alejandro Omar; Lubell, James; Foldal, Maja Dyhre; Leske, Sabine Liliana; Huster, Rene; Meling, Torstein Ragnar; Knight, Robert T; Solbakk, Anne-Kristin; Endestad, Tor (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Orbitofrontal cortex (OFC) is implicated in multiple cognitive processes, including inhibitory control, context memory, recency judgment, and choice behavior. Despite an emerging understanding of the role of OFC in memory ...
  • Jensenius, Alexander Refsum; Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian (Book / Bok / PublishedVersion; Peer reviewed, 2011)
    Editors: Alexander Refsum Jensenius, Anders Tveit, Rolf Inge Godøy, Dan Overholt Table of Contents -Tellef Kvifte: Keynote Lecture 1: Musical Instrument User Interfaces: the Digital Background of the Analog Revolution ...
  • Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    In this chapter, the author begins with a discussion of different notions of metre, and clarifies how she use the term, and offers a brief presentation of the theory of entrainment and dynamic attending, before turning to ...
  • Lan, Qichao; Tørresen, Jim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    RaveForce is a programming framework designed for a computational music generation method that involves audio sample level evaluation in symbolic music representation generation. It comprises a Python module and a SuperCollider ...
  • Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Despite the rise of global online music services like iTunes and Spotify, local and physical music retailers are not extinct. Although many have faced redundancy, others are turning their local presence and technological ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Many practices of contemporary DJ-driven electronic dance music derive from 1970s club scenes in the United States, which were welcoming spaces for people who otherwise encountered prejudice for their gender identities and ...
  • Edwards, Peter (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    The Passacaglia finale from György Ligeti's Le Grand Macabre (1974–7, rev. 1996) has been described as a point of stylistic crisis, marking Ligeti's return to more traditional compositional means. Consonances and tonal ...
  • Dahl, Sofia; Sioros, George (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Head movements of groups of participants moving to music allowing for both duple and triple subdivisions were analysed using Recurrence Quantification Analysis. As expected the maximum recurrence rate varied between ...
  • Haugen, Mari Romarheim; Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)