Now showing items 123-142 of 211

  • Brøvig-Hanssen, Ragnhild; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
    In a musical context, the word ‘sound’ implies a set of sonic characteristics. Within popular music, this notion of sound sometimes supplies the very identity of a tune, a band or a musician. Sound is often conceptualised ...
  • Xambo Sedo, Anna; Saue, Sigurd; Jensenius, Alexander Refsum; Støckert, Robin; Brandtsegg, Øyvind (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    In this paper, we present a workshop of physical computing applied to NIME design based on science, technology, engineering, arts, and mathematics (STEAM) education. The workshop is designed for master students with ...
  • McPherson, Andrew; Berdahl, Edgar; Jensenius, Alexander Refsum; Lyons, Michael J.; Bukvic, Ivica Ico; Knudsen, Arve (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    This workshop will explore the potential creation of a community database of digital musical instrument (DMI) designs. In other research communities, reproducible research practices are common, including open-source software, ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The paper presents a non-realtime implementation of the sonomotiongram method, a method for the sonification of motiongrams. Motiongrams are spatiotemporal displays of motion from video recordings, based on frame-differencing ...
  • Serafin, Stefania; Dahl, Sofia; Bresin, Roberto; Jensenius, Alexander Refsum; Unnthorsson, Runar; Välimäki, Vesa (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Sound and music computing (SMC) is still an emerging field in many institutions, and the challenge is often to gain critical mass for developing study programs and undertake more ambitious research projects. We report on ...
  • Alarcón Diaz, Ximena (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    © Ximena Alarcón 2017. All rights reserved http://www.reflections-on-process-in-sound.net/
  • Marshall, Mark; Peters, Nils; Jensenius, Alexander Refsum; Boissinot, Julien; Wanderley, Marcelo M.; Braasch, Jonas (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    This paper presents our current approach in using a Polhemus Liberty electromagnetic tracker for controlling spatialization in a performance setup for small ensemble. We are developing a Gesture Description Interchange ...
  • Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    This is an Accepted Manuscript of a book chapter published by Routledge in Musical Rhythm in the Age of Digital Reproduction in 2013, available online: http://www.routledge.com/9781138246843
  • Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
    What type of motion capture system is best suited for studying dancing to electronic dance music? The paper discusses positive and negative sides of using camera-based and sensor-based motion tracking systems for group ...
  • Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian; de Quay, Yago; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    The paper presents research about implementing a full body inertial motion capture system, the Xsens MVN suit, for musical interaction. Three di erent approaches for streaming real time and prerecorded motion capture data ...
  • Jensenius, Alexander Refsum; Camurri, Antonio; Castagné, Nicolas; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas; Schwartz, Diemo; Wright, Matthew (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2007)
  • Christophersen, Bjørn Morten (Doctoral thesis / Doktoravhandling, 2016)
    Johan Svendsen is one of the most influential Scandinavian composers of the nineteenth century. He contributed in particular to the orchestral repertoire in Scandinavia and he was a celebrated conductor throughout Europe. ...
  • Høffding, Simon; Roald, Tone; Mette, Houlberg (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    There is a powerful trend in museums today of asking visitors to participate in the exhibitions, co‐create content, and to be active and engage with one another in the museum space. While welcoming the participatory agenda ...
  • Høffding, Simon; Roald, Tone (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview ...
  • Martin, Charles Patrick (Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
    This article describes how percussive interaction informed the design, development and deployment of a series of touchscreen digital musical instruments for ensembles. Percussion has previously been defined by techniques ...
  • Jensenius, Alexander Refsum; Johnson, Victoria (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2012)
    This article presents the development of the improvisation piece Transformation for electric violin and live electronics. The aim of the project was to develop an “invisible” technological setup that would allow the performer ...
  • Nymoen, Kristian; Chandra, Arjun; Glette, Kyrre Harald; Tørresen, Jim; Voldsund, Arve; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
    We consider the issue of how a flexible musical space can be manipulated by users of an active music system. The musical space is navigated within by selecting transitions between different sections of the space. We take ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
    Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
  • Guldbrandsen, Erling E. (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2015)
    I have never been quite convinced by the way the story of ‘high modernism’ has generally been told. More often than not, it has been a saga of radical ruptures and new starts—a ‘progress narrative’ involving limitless ...
  • Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
    How do dancers engage with electronic dance music (EDM) when dancing? This paper reports on an empirical study of dancers' pleasurable engagement with three structural properties of EDM: (1) breakdown, (2) build-up, and ...