Now showing items 78-97 of 175

  • Kraugerud, Emil (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    This paper investigates the importance of forming the virtual space in recorded music. With a production-analytical model called the sound-space I seek to draw attention to the ways in which spatiality in recorded sound ...
  • Danielsen, Anne; Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
  • Danielsen, Anne; Helseth, Inger (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
  • Alarcón Diaz, Ximena (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    A partir de las memorias sonoras de los pasajeros del transporte público subterráneo en Londres, México y París, creé el sitio interactivo en internet Sounding Underground. Esta interfaz articula estructural y aleatoriamente ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This chapter presents an overview of some methodological approaches and technologies that can be used in the study of music-related body motion. The aim is not to cover all possible approaches, but rather to highlight some ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
    This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed ...
  • Jensenius, Alexander Refsum (Research report / Forskningsrapport, 2009)
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    The paper presents a method for sonification of human body motion based on motiongrams. Motiongrams show the spatiotemporal development of body motion by plotting average matrices of motion images over time. The resultant ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    In recent decades, we have seen a surge in published work on embodied music cognition, and it is now broadly accepted that musical experience is intimately linked with experiences of body motion. It is also clear that music ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / SubmittedVersion, 2017)
    There can be no doubt that we often experience correspondences between different sense modalities in music, such as between sound, vision, motion, and touch (just to mention the most prominent ones). This is evident in ...
  • Danielsen, Anne; Haugen, Mari Romarheim; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    Pulse is a fundamental reference for the production and perception of rhythm. In this paper, we study entrainment to changes in the micro-rhythmic design of the basic pulse of the groove in ‘Left & Right’ by D’Angelo. In ...
  • Jensenius, Alexander Refsum; Nymoen, Kristian; Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    The paper presents some challenges faced in developing an experimental setup for studying coarticulation in music-related body movements. This has included solutions for storing and synchronising motion capture, biosensor ...
  • Nymoen, Kristian; Haugen, Mari Romarheim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
    The MYO armband from Thalmic Labs is a complete and wireless motion and muscle sensing platform. This paper evaluates the armband’s sensors and its potential for NIME applications. This is followed by a presentation of the ...
  • Størvold, Tore (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
    This article bridges ecocriticism and popular music analysis in a close reading of three examples that respond musically to environmental debates in Iceland during the period 2006–2009. Political-environmental tensions in ...
  • Jensenius, Alexander Refsum; Voldsund, Arve (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    We report on the Music Ball Project, a longterm, exploratory project focused on creating novel instruments/controllers with a spherical shape as the common denominator. Besides a simple and attractive geometrical shape, ...
  • Brøvig-Hanssen, Ragnhild (Doctoral thesis / Doktoravhandling, 2013)
    Technological mediation has been imperative to popular music's production throughout its history. In addition to their impact upon the means of producing popular music, new developments in technology have always had an ...
  • Brøvig-Hanssen, Ragnhild; Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    Recorded sound is acousmatic, meaning that it does not display any visual sound sources. When people listen to recorded/acousmatic sound, they generally apply their previous experiences with the acoustical conditions of ...
  • Born, Georgina; Devine, Kyle (Journal article / Tidsskriftartikkel / SubmittedVersion, 2015)
    Music technology undergraduate degree programmes are a relatively new phenomenon in British higher education, situated at the intersection of music, digital technologies, and sound art. Such degrees have exploded in ...
  • Haugen, Mari Romarheim (Doctoral thesis / Doktoravhandling, 2016)
    This thesis investigates the interaction between perceived rhythm and underlying reference structures in the experience of rhythm in music. The point of departure is that both music performers’ and perceivers’ body motions ...
  • Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Streaming services for music are growing worldwide, and the Nordic countries are leading the way. In Norway, streaming represented 88 percent of digital music revenues in 2014, as opposed to 23 percent globally. In essence, ...