Now showing items 169-188 of 357

  • Johnson, Mark; Aksnes, Hallgjerd; Alexander, Thomas; Matteucci, Giovanni; Roald, Tone (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
  • Alluri, Vinoo; Mittal, Anant; SC, Azhagammal; Vuoskoski, Jonna Katariina; Saarikallio, Suvi H. (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2022)
    Music listening is a great resource for mental well-being, pleasure, and self-regulation, but it may also be maladaptive. Depression, for instance, has been shown to relate to music use that is characterized by rumination, ...
  • Câmara, Guilherme Schmidt; Sioros, George; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    In this article, we explore the various ways in which drummers express a simple ‘backbeat’ pattern when asked to play with different timing styles (laid-back, on-beat, pushed) via manipulation of stroke onset and intensity ...
  • Hui, Alan (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    This article focuses on mashup music, a form of sampling expression combining samples from two or more recognisable and popular music recordings into a new whole. It explains how platforms often regulate, displace and ...
  • Aubinet, Stephane Vincent B (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    This article approaches an Indigenous singing tradition, the yoik, practiced by the Sámi people in the north of Europe, as a way of knowing the environment through presence rather than meaning. The yoik consists of short ...
  • Kraugerud, Emil (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    This paper investigates the importance of forming the virtual space in recorded music. With a production-analytical model called the sound-space I seek to draw attention to the ways in which spatiality in recorded sound ...
  • Swarbrick, Dana; Upham, Finn; Erdem, Cagri; Jensenius, Alexander Refsum; Vuoskoski, Jonna Katariina (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    We present a proof of concept by using the mobile application MusicLab to measure motion during a livestreamed concert and examining its relation to musical features. With the MusicLab App, participants’ own smartphones’ ...
  • Kontogeorgakopoulos, Alexandros; Sioros, George; Klissouras, Odysseas (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    Mechanical Entanglement is a musical composition for three performers. Three force feedback devices each containing two haptic faders are mutually coupled using virtual linear springs and dampers. During the composition, ...
  • Danielsen, Anne; Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
  • Danielsen, Anne; Helseth, Inger (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
  • Alarcón Diaz, Ximena (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    A partir de las memorias sonoras de los pasajeros del transporte público subterráneo en Londres, México y París, creé el sitio interactivo en internet Sounding Underground. Esta interfaz articula estructural y aleatoriamente ...
  • Herrebrøden, Henrik; Espeseth, Thomas; Bishop, Laura (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2023)
    Mental effort (intensity of attention) in elite sports has remained a debated topic and a challenging phenomenon to measure. Thus, a quasi-ecological laboratory study was conducted to investigate mental effort in elite ...
  • Endestad, Tor; Godøy, Rolf Inge; Sneve, Markus Handal; Hagen, Thomas; Bochynska, Agata Elzbieta; Laeng, Bruno (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    We investigated “musical effort” with an internationally renowned, classical, pianist while playing, listening, and imagining music. We used pupillometry as an objective measure of mental effort and fMRI as an exploratory ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This chapter presents an overview of some methodological approaches and technologies that can be used in the study of music-related body motion. The aim is not to cover all possible approaches, but rather to highlight some ...
  • Maasø, Arnt; Hagen, Anja Nylund (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how ...
  • Lesteberg, Mari; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2022)
    This paper describes the development of two musical instrument prototypes developed to explore how non-haptic music technologies can be accessed from a web browser and how they can offer accessibility for people with low ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
    This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed ...
  • Skaansar, Jo Fougner; Laeng, Bruno; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    The present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework ...
  • Lartillot, Olivier (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    The MiningSuite is a free open-source and comprehensive Matlab framework for the analysis of signals, audio recordings, music recordings, music scores, other signals such as motion capture data, etc., under a common modular ...
  • Lartillot, Olivier (Research report / Forskningsrapport / PublishedVersion; Peer reviewed, 2018)
    This paper describes the two variants OL1 and OL2 of the model submitted to the MIREX 2018 tempo estimation tasks, and compare them with respect to my previous submission for MIREX 2013.