Now showing items 98-117 of 177

  • Haugen, Mari Romarheim (Doctoral thesis / Doktoravhandling, 2016)
    This thesis investigates the interaction between perceived rhythm and underlying reference structures in the experience of rhythm in music. The point of departure is that both music performers’ and perceivers’ body motions ...
  • Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Streaming services for music are growing worldwide, and the Nordic countries are leading the way. In Norway, streaming represented 88 percent of digital music revenues in 2014, as opposed to 23 percent globally. In essence, ...
  • Jensenius, Alexander Refsum; Wanderley, Marcelo M.; Godøy, Rolf Inge; Leman, Marc (Chapter / Bokkapittel / SubmittedVersion, 2010)
    This chapter starts with a review of some current definitions of "gesture". The second part presents a conceptual framework for differentiating various functional aspects of gestures in music performance. The third part ...
  • Devine, Kyle Ross (Journal article / Tidsskriftartikkel / SubmittedVersion, 2014)
    Loudspeakers are everywhere in the built environment. Indeed, music, sound, and listening today are arguably defned by their apparently inevitable mediation by an electronically amplifed loudspeaker. But it wasn’t always ...
  • Brøvig-Hanssen, Ragnhild; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
    In a musical context, the word ‘sound’ implies a set of sonic characteristics. Within popular music, this notion of sound sometimes supplies the very identity of a tune, a band or a musician. Sound is often conceptualised ...
  • McPherson, Andrew; Berdahl, Edgar; Jensenius, Alexander Refsum; Lyons, Michael J.; Bukvic, Ivica Ico; Knudsen, Arve (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    This workshop will explore the potential creation of a community database of digital musical instrument (DMI) designs. In other research communities, reproducible research practices are common, including open-source software, ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The paper presents a non-realtime implementation of the sonomotiongram method, a method for the sonification of motiongrams. Motiongrams are spatiotemporal displays of motion from video recordings, based on frame-differencing ...
  • Serafin, Stefania; Dahl, Sofia; Bresin, Roberto; Jensenius, Alexander Refsum; Unnthorsson, Runar; Välimäki, Vesa (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Sound and music computing (SMC) is still an emerging field in many institutions, and the challenge is often to gain critical mass for developing study programs and undertake more ambitious research projects. We report on ...
  • Alarcón Diaz, Ximena (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
    © Ximena Alarcón 2017. All rights reserved http://www.reflections-on-process-in-sound.net/
  • Marshall, Mark; Peters, Nils; Jensenius, Alexander Refsum; Boissinot, Julien; Wanderley, Marcelo M.; Braasch, Jonas (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    This paper presents our current approach in using a Polhemus Liberty electromagnetic tracker for controlling spatialization in a performance setup for small ensemble. We are developing a Gesture Description Interchange ...
  • Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    This is an Accepted Manuscript of a book chapter published by Routledge in Musical Rhythm in the Age of Digital Reproduction in 2013, available online: http://www.routledge.com/9781138246843
  • Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
    What type of motion capture system is best suited for studying dancing to electronic dance music? The paper discusses positive and negative sides of using camera-based and sensor-based motion tracking systems for group ...
  • Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian; de Quay, Yago; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    The paper presents research about implementing a full body inertial motion capture system, the Xsens MVN suit, for musical interaction. Three di erent approaches for streaming real time and prerecorded motion capture data ...
  • Jensenius, Alexander Refsum; Camurri, Antonio; Castagné, Nicolas; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas; Schwartz, Diemo; Wright, Matthew (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2007)
  • Christophersen, Bjørn Morten (Doctoral thesis / Doktoravhandling, 2016)
    Johan Svendsen is one of the most influential Scandinavian composers of the nineteenth century. He contributed in particular to the orchestral repertoire in Scandinavia and he was a celebrated conductor throughout Europe. ...
  • Martin, Charles Patrick (Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
    This article describes how percussive interaction informed the design, development and deployment of a series of touchscreen digital musical instruments for ensembles. Percussion has previously been defined by techniques ...
  • Jensenius, Alexander Refsum; Johnson, Victoria (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2012)
    This article presents the development of the improvisation piece Transformation for electric violin and live electronics. The aim of the project was to develop an “invisible” technological setup that would allow the performer ...
  • Nymoen, Kristian; Chandra, Arjun; Glette, Kyrre Harald; Tørresen, Jim; Voldsund, Arve; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
    We consider the issue of how a flexible musical space can be manipulated by users of an active music system. The musical space is navigated within by selecting transitions between different sections of the space. We take ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
    Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
  • Guldbrandsen, Erling E. (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2015)
    I have never been quite convinced by the way the story of ‘high modernism’ has generally been told. More often than not, it has been a saga of radical ruptures and new starts—a ‘progress narrative’ involving limitless ...