Now showing items 76-95 of 107

  • Ålvik, Jon Mikkel Broch (Doctoral thesis / Doktoravhandling, 2014)
    In this thesis, I investigate into the politics of gendered representation in Norwegian popular music, and how these function in a transcultural context. To this end, I take Norwegian pop artists Marit Larsen and Marion ...
  • Nymoen, Kristian; Jensenius, Alexander Refsum; Tørresen, Jim; Glette, Kyrre Harald; Skogstad, Ståle Andreas van Dorp (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    In this paper we present a method for studying relationships between features of sound and features of movement. The method has been tested by carrying out an experiment with people moving an object in space along with ...
  • Nielsen, Nanette (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2007)
    One of the most important music critics of the early twentieth century, Paul Eugen Max Bekker was born in Berlin on September 11, 1882, to a tailor and a seamstress. After a career as a violinist and a short stint as a ...
  • Holopainen, Risto (Doctoral thesis / Doktoravhandling, 2012)
    Autonomous instruments are computer programmes that generate music algorithmically and without realtime interaction, from the waveform level up to the large scale form. This thesis addresses questions of aesthetics and the ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    Tremolo is usually regarded as belonging to the domain of note embellishments. Rapid tremolo, taken into the audio range, is an interesting synthesis technique which is related to FMand granular synthesis. We present a ...
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    The purpose of this Short-Term Scientific Mission has been to investigate the use of the Sound Description Interchange Format (SDIF) as a container format for Gesture Description Interchange Format (GDIF) recordings. Much ...
  • Bevilacqua, Frédéric; Fels, Sidney; Jensenius, Alexander Refsum; Lyons, Michael; Schnell, Norbert; Tanaka, Atau (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2013)
    This SIG intends to investigate the ongoing dialogue between music technology and the field of human-computer interaction. Our specific aims are to consider major findings of musical interface research over recent years ...
  • Godøy, Rolf Inge (Research report / Forskningsrapport, 1993)
  • Nymoen, Kristian (Research report / Forskningsrapport, 2008)
    Technical report from pilot studies in the Sensing Music-related Actions group. The report presents simple motion sensor technology and issues regarding pre-processing of music-related motion data. In cognitive music ...
  • Holopainen, Risto (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    Apart from the sounds they make, synthesis models are distinguished by how the sound is controlled by synthesis parameters. Smoothness under parameter changes is often a desirable aspect of a synthesis model. The concept ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    Mobile music technology opens many new opportunities in terms of location-aware systems, social interaction etc., but we should not forget that many challenges faced in immobile music technology research are also apparent ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    This paper presents an overview of techniques for creating visual displays of human body movement based on video recordings. First a review of early movement and video visualization techniques is given. Then follows an ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / SubmittedVersion, 2017)
    This chapter looks at the ways in which micromotion, the smallest controllable and perceivable human body motion, can be used in interactive sound systems. It presents a general taxonomy, followed by examples of how sonic ...
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    The paper presents sonomotiongram, a technique for the creation of auditory displays of human body motion based on motiongrams. A motiongram is a visual display of motion, based on frame differencing and reduction of a ...
  • Sandve, Birgitte (Doctoral thesis / Doktoravhandling, 2014)
    This project deals with how notions of urban space in rap music might attach to certain meanings or identification through cultural practices. Through my case studies I present analyses and readings of the Norwegian rap ...
  • Nymoen, Kristian; Tørresen, Jim; Godøy, Rolf Inge; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2012)
    This paper presents an experiment on sound tracing, meaning an experiment on how people relate motion to sound. 38 participants were presented with 18 short sounds, and instructed to move their hands in the air while acting ...
  • Jensenius, Alexander Refsum; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Voldsund, Arve (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    With musical applications in mind, this paper reports on the level of noise observed in two commercial infrared marker-based motion capture systems: one high-end (Qualisys) and one affordable (OptiTrack). We have tested ...
  • Haugen, Mari Romarheim (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2014)
    Norwegian telespringar is often referred to as being in so-called asymmetrical triple meter—that is, the three beats in the measure are of uneven duration. Previous studies report that a systematic long–medium–short beat ...
  • Jensenius, Alexander Refsum; Castagné, Nicolas; Camurri, Antonio; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2007)
    This paper summarises a panel discussion at the 2007 International Computer Music Conference on movement and gesture data formats, presents some of the formats currently in development in the computer music community, and ...
  • Hundsnes, Svein (Doctoral dissertation / Doktoravhandling, 2014)
    This thesis aims to demonstrate that Tchaikovsky’s symphonic style is explicitly contrapuntal. Not only has this aspect of the composer been significantly undervalued in western musicology until today, it would be about ...