Now showing items 58-77 of 252

  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    Motiongrams are visual representations of human motion, generated from regular video recordings. This paper evaluates how different video features may influence the generated motiongram: inversion, colour, filtering, ...
  • Haugen, Mari Romarheim; Nymoen, Kristian (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
    Recording music-related motions in ecological valid situa- tions can be challenging. We investigate the performance of three devices providing 3D acceleration data, namely Axivity AX3, iPhone 4s and a Wii controller tracking ...
  • Haugen, Mari Romarheim; Nymoen, Kristian (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    Recording music-related motions in ecologically valid situations can be challenging. We investigate the performance of three devices providing 3D acceleration data, namely Axivity AX3, iPhone 4s and a Wii controller tracking ...
  • Jensenius, Alexander Refsum; Innervik, Kjell Tore; Frounberg, Ivar (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    We report on a study of perceptual and acoustic features related to the placement of microphones around a custom made glass instrument. Different microphone setups were tested: above, inside and outside the instrument and ...
  • Høffding, Simon; Schiavio, Andrea (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    In this paper, we advance the thesis that music-making can be advantageously understood as an exploratory phenomenon. While music-making is certainly about aesthetic expression, from a phenomenological, cognitive, and even ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
    Pitch and spatial height are often associated when describing music. In this paper we present results from a sound tracing study in which we investigate such sound–motion relationships. The subjects were asked to move as ...
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2011)
    We present the results of a pilot study on how micromovements may be used in an interactive dance/music performance. Micromovements are subtle body movements that cannot be easily seen by the human eye. Using an infrared ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    This is an exploration of listeners association of gestures with musical sounds. The subjects listen to sounds that have been chosen for various salient features, and the tracing movements made by the subjects are recorded ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / SubmittedVersion, 2017)
    As living human beings we are constantly in motion. Even when we try to stand absolutely still, our breathing, pulse and postural adjustments lead to motion at the micro-level. Such micromotion is small, but it is still ...
  • Erdem, Cagri; Lan, Qichao; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    We investigated how the action–sound relationships found in electric guitar performance can be used in the design of new instruments. Thirty-one trained guitarists performed a set of basic sound-producing actions (impulsive, ...
  • Jensenius, Alexander Refsum; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata; Bjerkestrand, Kari Anne Vadstensvik (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
    This paper explores sonic microinteraction using muscle sensing through the Myo armband. The first part presents results from a small series of experiments aimed at finding the baseline micromotion and muscle activation ...
  • Glette, Kyrre Harald; Jensenius, Alexander Refsum; Godøy, Rolf Inge (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    The paper addresses possibilities of extracting information from music-related actions, in the particular case of what we call sound-tracings. These tracings are recordings from a graphics tablet of subjects' drawings ...
  • Xambo Sedo, Anna; Støckert, Robin; Jensenius, Alexander Refsum; Saue, Sigurd (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    In this paper, we present a course of audio programming using web audio technologies addressed to an interdisciplinary group of master students who are mostly beginners in programming. This course is held in two connected ...
  • Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian; Høvin, Mats Erling; Holm, Sverre; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    In this paper we present some custom designed filters for real-time motion capture applications. Our target application is motion controllers, i.e. systems that interpret hand motion for musical interaction. In earlier ...
  • Place, Timothy; Lossius, Trond; Jensenius, Alexander Refsum; Peters, Nils (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    Fundamental to the development of musical or artistic creative work is the ability to transform raw materials. This ability implies the facility to master many facets of the material, and to shape it with plasticity. ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
    In 2016, only four of forty-seven DJs booked for Musikkfest, a festival in Oslo, Norway, were women. Following this, a local DJ published an objection to this imbalance in a local arts and entertainment magazine. Her ...
  • Jensenius, Alexander Refsum; Glette, Kyrre Harald; Godøy, Rolf Inge; Høvin, Mats Erling; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    The paper reports on the development and activities in the recently established fourMs lab (Music, Mind, Motion, Machines) at the University of Oslo, Norway. As a meeting place for researchers in music and informatics, the ...
  • Eriksen, Asbjørn Øfsthus (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    Nikolay Myaskovsky (1881–1950) was highly esteemed as a Soviet composer, only surpassed by Prokofiev and Shostakovich among his contemporaries, and in the West famous conductors like Stokowski and Furtwängler performed his ...
  • Eriksen, Asbjørn Øfsthus (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    Nikolay Myaskovsky (1881–1950) was highly esteemed as a Soviet composer, only surpassed by Prokofiev and Shostakovich among his contemporaries, and in the West famous conductors like Stokowski and Furtwängler performed his ...
  • Kvalbein, Astrid (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    What is recognized as the Norwegian composer Fartein Valen’s international breakthrough took place at the 1947 festival of ISCM (International Society for contemporary Music) in Copenhagen. This article investigates what ...