Now showing items 252-271 of 361

  • Lan, Qichao; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    QuaverSeries consists of a domain-specific language and a single-page web application for collaborative live coding in music performances. Its domain-specific language borrows principles from both programming and digital ...
  • Lan, Qichao; Tørresen, Jim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    RaveForce is a programming framework designed for a computational music generation method that involves audio sample level evaluation in symbolic music representation generation. It comprises a Python module and a SuperCollider ...
  • Erdem, Cagri; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes the ongoing process of developing RAW, a collaborative body–machine instrument that relies on `sculpting' the sonification of raw EMG signals. The instrument is built around two Myo armbands located ...
  • Lartillot, Olivier; Cancino-Chacón, Carlos; Brazier, Charles (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    We present a new system for real-time visualisation of music performance, focused for the moment on a fugue played by a string quartet. The basic principle is to offer a visual guide to better understand music using ...
  • Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Despite the rise of global online music services like iTunes and Spotify, local and physical music retailers are not extinct. Although many have faced redundancy, others are turning their local presence and technological ...
  • Akca, Merve; Vuoskoski, Jonna Katariina; Laeng, Bruno; Bishop, Laura (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    Two experiments were conducted to test the role of participant factors (i.e., musical sophistication, working memory capacity) and stimulus factors (i.e., sound duration, timbre) on auditory recognition using a rapid serial ...
  • Laczkó, Bálint; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2021)
    The paper presents the Musical Gestures Toolbox (MGT) for Python, a collection of modules targeted at researchers working with video recordings. The toolbox includes video visualization techniques such as creating motion ...
  • Thompson, Marc Richard; Mendoza, Juan Ignacio; Luck, Geoff; Vuoskoski, Jonna Katariina (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2023)
    A core aspect of musical performance is communicating emotional and expressive intentions to the audience. Recognition of the musician's intentions is constructed from a combination of visual and auditory performance cues, ...
  • Bishop, Laura; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes a comparative analysis of tracking quality in two infrared marker-based motion capture systems: one older but high-end (Qualisys, purchased in 2009) and the other newer and mid-range (OptiTrack, purchased ...
  • Edwards, Peter (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Mange av dagens internettplattformer bruker automatiske og algoritmiske verktøy for å gjenkjenne og moderere uønsket innhold, inkludert det som blir ansett for å krenke opphavsretten. Denne artikkelen undersøker hvordan ...
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    Many online media platforms currently utilise algorithmically driven content moderation to prevent copyright infringement. This article explores content moderation’s effect on mashup music – a form of remix which relies ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Many practices of contemporary DJ-driven electronic dance music derive from 1970s club scenes in the United States, which were welcoming spaces for people who otherwise encountered prejudice for their gender identities and ...
  • Edwards, Peter (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    The Passacaglia finale from György Ligeti's Le Grand Macabre (1974–7, rev. 1996) has been described as a point of stylistic crisis, marking Ligeti's return to more traditional compositional means. Consonances and tonal ...
  • Dahl, Sofia; Sioros, George (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Head movements of groups of participants moving to music allowing for both duple and triple subdivisions were analysed using Recurrence Quantification Analysis. As expected the maximum recurrence rate varied between ...
  • Haugen, Mari Romarheim; Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
  • Danielsen, Anne; Hawkins, Edgar Stanley (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    In this music-analytic interpretation of two love songs from Prince’s Around the World in a Day album, we investigate the properties of groove, arrangement, and vocality, all of which contribute to the artist’s inimitable ...
  • Tørresen, Jim; Glette, Kyrre Harald; Jensenius, Alexander Refsum; Furuholmen, Marcus (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2009)
    The Robotics and Intelligent Systems group conducts research in the interdisciplinary field of robotics, machine learning, reconfigurable hardware and sensing human actions. The group is affiliated to the Department of ...
  • Høgåsen-Hallesby, Hedda (Doctoral thesis / Doktoravhandling, 2013)
    Devoted to productions of Salome by Richard Strauss, this dissertation discusses opera as a material exemplification of canonicity as a process. Its premise is that opera should be treated as a coexistence of repeated texts ...